How technology distorts nature: Kohei Nawa’s art for the information age – so tactile you want to feel it
- Japanese artist’s stuffed animals encrusted in glass balls are a mesmerising commentary on society’s obsession with viewing the world in pixelated form
- On display in his first solo Hong Kong show, the works and others, such as his throne made from blades, explore the contrasts between nature and artificiality

It takes some restraint not to reach out and touch the art when walking through a Kohei Nawa exhibition. From the stuffed animals covered in glass bubbles in his “PixCell” series to the polished, futuristic blades of Throne, and the voluptuous objects coated in bedazzled grains from his “Particle” series, these sculptures have tactile qualities that pique one’s curiosity.
Placed under spotlights inside an art gallery, these glittering pieces become hyper-vivid.
“Recent Works”, the 43-year-old Japanese artist’s first solo show in Hong Kong, examines the relationship between nature and artificiality.
The most visually arresting piece in the exhibition at Pace Gallery in the city’s Central district is one of Nawa’s career-defining concepts: a stuffed deer covered in thousands of clear glass balls of different sizes, which create the impression that the two-metre-tall animal is coated entirely in suds or dew. The light refracted from each ball distorts the creature, giving only an impression of what it looks like beneath its fluid exterior.

Deer have mythological and cultural significance in Japan, but Nawa selected them as a medium for practical reasons: they are more abundant than other stuffed animals on auction websites.