A Bollywood actor’s face tattooed on his arm, Sandeep Bacche’s devotion shocks few in India, where film stars enjoy semidivine status. But even here the hallowed silver screen may be losing its shine to streaming services and fears about the coronavirus pandemic. “Whenever things get better and theatres begin operations, I will watch three movies a day for sure just as a way to celebrate,” said the Mumbai rickshaw driver, who is recovering from the virus himself. But others may not join the party. With cinemas shut for months due to a lockdown to curb the spread of coronavirus, and little prospect they will reopen soon, frustrated Bollywood producers have turned to the likes of Amazon, Netflix and Disney+ Hotstar to release films online. Gulabo Sitabo , starring Bollywood legend Amitabh Bachchan, premiered on Amazon Prime last month. To the fury of cinema operators, other Hindi films have followed a similar route, as have productions in Telugu, Tamil, and Malayalam. Inox Leisure, India’s second-largest operator of multiplex cinemas, warns producers of possible “retributive measures”. “Movie stars are not made on the small screen but on the silver screen,” says Siddharth Jain, Inox executive director. Why the future of the Chinese film industry could lie online Jain is fully aware of the financial might of the streaming services, saying: “No business model in the world can compete with free money and Netflix is nothing but free money.” Shoojit Sircar, who directed Gulabo Sitabo , says “a digital release was a tough decision” but financial constraints pushed him to do it. “A lot of technicians are dependent on me,” Sircar adds. “Cinema magic cannot be replaced by TV, iPad or laptop experience. But I needed to move on.” India has the world’s most prolific film industry – it churned out nearly 1,800 releases in 2018. Stars are worshipped like gods, with fans building temples and making pilgrimages to their homes. Going to the cinema also remains a hugely popular and affordable pursuit, with 75 rupees (US$1) buying three hours of entertainment in an air-conditioned cinema. Some of the higher-end multiplex cinemas have menus that include biryani delivered to your recliner, and blankets to snuggle under if the air conditioning is too cold. But with more than half of India’s population under 30, and many of them consuming entertainment on mobile phones, the likes of Netflix were starting to make inroads even before the coronavirus. Theatres play an important role in film distribution and we aren’t looking to change that. As technology continues to change that landscape, customers’ preferences of what to watch and where will continue to evolve Vijay Subramaniam, Amazon Prime’s director of content for India Hotstar, the market leader now owned by Disney, boasted 300 million active monthly users in 2018. It offers some content free of charge, but makes other shows available only to subscribers. The shutdown triggered by the pandemic has accelerated the shift towards viewing films on streaming services. For years Mumbai-based teacher Nigel D’Souza, 27, was one of the holdouts, preferring to watch films in cinemas. But when India went into lockdown in late March, he bit the bullet and subscribed to both Amazon Prime – aggressively priced in India at just 129 rupees per month – and Netflix. He is now hooked. “It was very cheap … as we don’t spend money on expensive popcorn or travel,” he said. Furthermore, he found he “could binge watch any number of films … without worrying about the virus”. Vijay Subramaniam, Amazon Prime’s director of content for India, insists the company is not looking to put cinemas out of business. “Theatres play an important role in film distribution and we aren’t looking to change that,” he says. But he adds: “As technology continues to change that landscape, customers’ preferences of what to watch and where will continue to evolve.” Cinemas are getting ready for the end of lockdown, which will come with rules that will further eat away at their profit margins. Some seats will have to be left empty and cinema halls will have to be thoroughly disinfected after every show. The lavish menus and blankets will probably have to go. But it is not all doom and gloom. “The cinema experience is ingrained in our blood … (it) will never go out of fashion,” says Mumbai-based film trade analyst Girish Johar. For diehard fans like Bacche, the heady pleasures of the silver screen are irresistible. Even in the coronavirus treatment facility, the 41-year-old says he still needed his daily fix of Bollywood. He found it on the YouTube app on his phone, which he still uses – a sign that the pandemic’s impact on viewing habits may linger for a while longer.