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“Botticelli and His Times – Masterworks from the Uffizi” was one of the few art shows that was not cancelled this year in Hong Kong because of the pandemic. Photo: Nora Tam

7 of the best Hong Kong art shows in 2020, from the Italian Renaissance to a Wan Chai pop-up

  • ‘Botticelli and His Times’ took art lovers to another time and place with 42 paintings from the Renaissance era – and will still be around until February 24
  • Conceptual artist Francis Alÿs was one of few international names to make it to Hong Kong this year, putting on a show of past works and custom commissions

Ever since Hong Kong became a global art hub, industry insiders have pondered the designation of the city, considering it more of a marketplace for art and doorway to Asia than a true hotbed of creativity.

In 2020, the pandemic all but eradicated travel and a packed art fair calendar saw events cancelled one after another. It’s been an interesting time to watch how Hong Kong’s art industry coped and pivoted. Here, we highlight seven of the best shows we saw this year.

“Botticelli and His Times – Masterworks from the Uffizi”, Hong Kong Museum of Art

In a year marked by a lack of travel opportunities, the exhibition “Botticelli and His Times”, mounted by the Hong Kong Museum of Art and the Uffizi Galleries, was a welcome trip to another land and another time.
Visitors browse the art at the “Botticelli and His Times – Masterworks from the Uffizi” exhibition. Photo: May Tse

Featuring 42 paintings from the Renaissance era, the show not only shines light on the Italian artist Sandro Botticelli but also features portraits and religious depictions by the likes of Filippo Lippi, Cosimo Rosselli, Pietro Perugino, Luca Signorelli and Biagio d’Antonio. Among the highlights is The Adoration of the Magi (1474-75), one of Botticelli’s most important paintings.

The exhibition continues until February 24, 2021, but the museum is currently closed because of the Covid-19 pandemic. A live virtual tour of the exhibition will be held on December 31 between 3pm and 4pm (conducted in Cantonese).

Nothing could stop these Hong Kong artists from creating

“Unconstrained Textiles: Stitching Methods, Crossing Ideas”, Chat (Centre for Heritage, Arts and Textile)

This group show brought together the works of seven contemporary artists to explore in broad terms the meaning of textiles: a raw material with rich cultural, historical and political associations. In this proposal to expand the definition of textile art beyond a craft pursuit, the likes of Byron Kim, Samson Young and Izumi Kato showcased a myriad of interpretations, from performative body work to video pieces to hanging sculptures.

This was an exhibition that not only provided a reframing of key definitions in our cultural vocabulary, but cemented Chat’s own status as a space to be reckoned with and an important institutional voice.

Exhibition dates: March 21-July 26, 2020

A group of local artists created a short-lived pop-up exhibition called “A’fair”.

“A’fair”, 65 Hennessy Road

In a shining example of Hong Kong’s ability to adapt to challenges, a group of local artists descended upon a defunct Japanese restaurant in Wan Chai on Hong Kong Island and transformed it into a short-lived pop-up exhibition called “A’fair”.

The antithesis to typical white-box galleries and spacious, socially distanced art fairs, the space housed a number of site-specific installations by Ko Sin-tung, Mak Ying-tung 2, Lau Hiu-tong and others, mostly created with found objects such as socks, feathers and water pipes. It was a powerful display of artistic resilience.

Exhibition dates: November 19-22, 2020

“Swampland: Ho Sin-tung” was one of the most memorable exhibitions of 2020. Photo: Hanart TZ Gallery

“Swampland: Ho Sin-tung”, Hanart TZ Gallery

Opening just over a week into 2020, Ho Sin-tung’s exhibition in Hanart TZ Gallery’s old space in the Pedder Building in the city’s Central district left enough of an impression that it was still top of mind for a year-end round-up.

As always, Ho was influenced by tropes from film and literature, with such diverse cultural references as Greek mythology, director Alfred Hitchcock, manga/anime series Sailor Moon and philosopher Ludwig Wittgenstein, as she mused on concepts of systems and power, a popular topic among local artists following the 2019 mass political protests.

Alongside her signature pencil drawings (including a room of archival fantasy movie posters) were installations ranging from comical, flag-covered sheet ghosts to decaying love tokens bottled in glass vessels. It was a thought-provoking exploration of an artist’s vivid and fantastic imagination.

Exhibition dates: January 9-29, 2020

“Botticelli and His Times” featured 42 paintings from the Renaissance era. Photo: Nora Tam

“William Eggleston”, David Zwirner

The bad-boy photographer of his day, 81-year-old William Eggleston is best known for shaking up the world of art photography and colouring it wild – literally. In an age during which black-and-white was the dominant and sole accepted format for serious artists, Eggleston polarised the community by taking photos of everyday scenes in lurid hues (think petrol stations and Coca-Cola signs galore) and calling it art.

David Zwirner’s show focused on the early days of Eggleston’s career and presented a rare chance to see the maestro’s work in large format, printed to his exacting requirements. For those who missed it, the French New Wave-influenced documentary By the Ways (2006) sheds light on the photographer and his practice.

Exhibition dates: September 10-October 17, 2020

Theatre’s back on Broadway – one actor, on a stage, cameras rolling

“Garden of Six Seasons”, Para Site

With nearly every artist in the latter half of 2020 contemplating the effects of solitude on their practices and the aftershocks of the pandemic upon all of society, artistic themes across the globe began to dovetail.

A precursor to the Kathmandu Triennale (which showcases Nepali art in the global art scene), Para Site’s “Garden of Six Seasons” took over space in Soho House in Sheung Wan as well as its two-floor home turf in North Point to bring together a diverse collection of artists, works and formats that focused on the subject of nature and gardens.

While many of the works were created before Covid-19 became a part of our collective consciousness, this feat of curation brought together a mind-expanding and timely narrative of man’s relationship to nature, juxtaposing names ranging from locals Trevor Yeung and Wing Po-so to Balinese artist Citra Sasmita and Guatemalan Naufus Ramírez-Figueroa.

Exhibition dates: May 16-August 30, 2020

Francis Alÿs was one of few international names to actually make it to Hong Kong this year. Photo: Xiaomei Chen

“Wet Feet_Dry Feet, Borders and Games: Francis Alÿs”, Tai Kwun Contemporary

Conceptual artist Francis Alÿs was one of few international names to actually make it to Hong Kong this year, mounting his show after the customary two-week quarantine with a survey of past works alongside custom commissions, with footage filmed in the city.

The title of the exhibition is taken from a 1995 US policy on Cuban immigrants, with the show straddling formats as the artist explored his favoured topics of migration, identity and geopolitical boundaries through whimsical, nostalgic childhood renderings and motifs.

Exhibition dates: October 28, 2020 to February 16, 2021

Which stories mattered most to you in 2020? Find out with our Year In Review 2020 retrospective.

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