The architecture in the Oscars nominees for best picture reflected the unsettled feeling of the narratives. Jacob and Monica’s house in Minari, a putty-coloured mobile home.
The architecture in the Oscars nominees for best picture reflected the unsettled feeling of the narratives. Jacob and Monica’s house in Minari, a putty-coloured mobile home.

From Nomadland to Minari, an America in transition shown in the architecture of Oscars best picture nominees

  • All eight films nominated for best picture Oscar have an unsettled feeling, in their narrative and the architecture of the buildings we see
  • From the motor home in Sound of Metal to the parents’ house in Promising Young Woman, a sense of insecurity pervades

The architecture in the Oscars nominees for best picture reflected the unsettled feeling of the narratives. Jacob and Monica’s house in Minari, a putty-coloured mobile home.
The architecture in the Oscars nominees for best picture reflected the unsettled feeling of the narratives. Jacob and Monica’s house in Minari, a putty-coloured mobile home.
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