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Racism and other prejudice
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White singers in make-up playing Chinese characters draw Scottish Opera into ‘yellowface’ controversy

  • ‘Like blackface, yellowface is a degrading form of cultural appropriation,’ says Asian performers campaign group of UK opera company’s Nixon in China production
  • Of six Chinese roles, four were filled by white singers. Amid the row over their use, the production’s nomination for an arts award was withdrawn

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Of the six main Chinese roles in Scottish Opera’s Nixon in China, five were played by white actors, including Nicholas Lester as Zhou Enlai (centre). Photo: YouTube/Scottish Opera
Hilary Clarke

The use of yellowface make-up in opera has become the latest flashpoint in Britain’s debate over cultural stereotypes and racial equality in the arts, with critics of the practice calling for broader reforms so that the genre can better reflect diversity in society.

On June 11, Scottish Opera pulled its production of Nixon in China from the prestigious South Bank Sky Arts Awards, which recognises British achievements in the arts. News of the nomination had prompted complaints about the use of yellow make-up for white singers playing Chinese characters in the 2020 performances.

The opera was written in 1987 by composer John Adams, and recounts the story of US President Richard Nixon’s visit to China in 1972. Of the six main Chinese roles in Scottish Opera’s production, five were sung by white performers, including those of Chairman Mao Zedong and his premier, Zhou Enlai.
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Ironically, its colour-blind casting of black American baritone Eric Greene as Nixon was widely praised at the time.

Mark LeBrocq and Eric Greene in Nixon in China. Photo: YouTube/Scottish Opera
Mark LeBrocq and Eric Greene in Nixon in China. Photo: YouTube/Scottish Opera

Sarah Owen, a Scottish Member of Parliament, tweeted about the lack of East and Southeast Asian representation in the production just before the opera house pulled out of the awards.

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