In 2010 Australian photographer and writer Edward Stokes, who grew up in Hong Kong, crossed paths with a fellow artist. It was an encounter that would change his life.
“My brother and sister were visiting Hong Kong, so we decided to head to The Peak,” says Stokes of the popular tourist spot that provides stunning views of Hong Kong Island. “While there, I noticed an old man selling his prints of 1950s Hong Kong and, as a photographer myself, I was curious.
“We chatted for a bit – me in my broken Cantonese and he in his broken English – but after our initial encounter I didn’t really think about him until I received an email from his niece asking if I would like to see his negatives.”
The rest, as they say, is history.
The man Stokes had met was Lee Fook Chee. Lee was born into a poor family in Singapore on December 1, 1927, and adopted at birth by a studio photographer.
He found his way to Hong Kong in 1947 and lived “a difficult 1940s immigrant life”, Stokes says. Self-taught, Lee became a journeyman photographer and in 1948 started taking and selling portrait photos on The Peak. In 1951 he was paid to take identity photos of Nationalist refugees housed at Rennie’s Mill (now Tiu Keng Leng).
In 2015, Stokes co-wrote Lee Fook Chee’s Hong Kong, a book about Lee’s life journey that featured 140 of his photos. “Sadly Lee died in 2012, aged 84, before the book was published,” he says.
Now Lee’s photos form the centrepiece of a new exhibition, “Recovery; Resilience; Resurgence”, at the Asia Society in Admiralty from December 14 to March 6. It also features photos by Hedda Morrison, a German-Australian photographer who Stokes wrote about in Hong Kong As It Was: Hedda Morrison’s Photos, 1946–47. Photos by Brian Brake, a New Zealand photographer who lived in Hong Kong from the late 1950s to the mid-’70s, are also on show.
The exhibition, presented by the Asia Society Hong Kong and The Photographic Heritage Foundation, which Stokes founded in 2008, is his most ambitious, he says, both in concept and size: it includes 90 framed photos, 14 story panels and personal objects, including the Zeiss Ikonta camera Lee used.
“It’s a wonderful reflection of the city’s history that shows not only Hong Kong framed by landscape but also its vast urban changes,” Stokes says.
The images span a period of about 30 years that saw great transformation in Hong Kong, from the post-war recovery in 1946-47, through the resilience of the 1950s, to the resurgence of the 1960s and 1970s, Stokes adds.
Recovery; Resilience; Resurgence, Asia Society Hong Kong Centre, Justice Drive, Admiralty, tel: 2103 9511.