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Performing arts in Hong Kong
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Review | Chinese Nezha legend inspires Hong Kong Dance Company production that’s inventive and inspiring

  • Nezha: Untold Solitude dramatises the life of the dragon-slaying prince of Chinese myth in five scenes that have an almost hallucinatory power
  • The all-male cast dance superbly to a haunting score, the choreography is innovative and the staging stark and inspired, making for a powerful interpretation

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Confrontation between Nezha and Ao Bing in a scene from Hong Kong Dance Company’s “Nezha: Untold Solitude”. Photo: Mak Cheong-wai/Moon 9 images
Natasha Rogai
Following their impressive restaging of Helen Lai’s classic Nine Songs in October 2021, Hong Kong Dance Company has delved into China’s mythic past again with a visually stunning and beautifully performed new production inspired by the legend of Prince Nezha, a dragon-slaying hero and a deity of traditional folk religion.

Artistic director Yang Yuntao, his associate choreographer Xie Yin and their creative team have taken an oblique, minimalist approach rather than a conventional narrative one.

Stark, innovative and full of striking imagery, the work’s five scenes evoke key moments from Nezha’s journey with an at times almost hallucinatory power.

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Yang and Xie’s inventive choreography, Mandy Tam’s imaginative costumes and Lawrence Lau’s haunting score all combine contemporary elements with a range of Chinese references to excellent effect (part of the score is in naamyam, a traditional Cantonese narrative song form, performed by The Gong Strikes One group).

Ong Tsz Shen as Nezha, in despair after his father’s rejection. Jan Wong’s inspired set consists of a massive hollow circle suspended above the stage. Photo: Mak Cheong-wai/Moon 9 images
Ong Tsz Shen as Nezha, in despair after his father’s rejection. Jan Wong’s inspired set consists of a massive hollow circle suspended above the stage. Photo: Mak Cheong-wai/Moon 9 images

Jan Wong’s inspired set consists of a massive hollow circle suspended above the stage, which can be raised, lowered or tilted and is enhanced by ingenious lighting (by Yeung Tsz-yan) and video projections (by Dan Fong) to create dramatically different moods.

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