This low-key programme is made up of four short pieces that give it a workshop feel - an opportunity for the participating choreographers, all female, to explore and experiment. While the ideas could have been more fully realised, most of the work showed pleasing evidence of talent and imagination.

After a slow start, Alice Ma's evolves into an intriguing duet in which a woman is manipulated like a marionnette by a man who, after seeming to seek her affection, backs away when she finally comes to life and puts her arms around him. The concept was intelligent, if not entirely original, and this was a thoughtful piece with a welcome touch of emotional resonance. It also had some difficult partnering, with the woman maintaining doll-like rigidity when lifted and was well performed by Ma and Felix Ke.

Curiously, the only overtly feminine theme was Kirsten Ho's , a tribute to the preceding generations of women in the choreographer's family. Each generation is represented by a different garment, which Ho takes in turn from layers of clothing on a mannequin, tries on and dances with. Each garment represents a layer of conformity peeled off by the women of the past.