Challenge mode is missing, meaning that players must devise and test new combos in Training mode, rather than via a structured regime. Also missing is Targets, a daily trial in which you earn Fight Money (Street Fighter V’s currently unusable in-game currency). Online battle lobbies only support two players at launch. A second currency, Zenny, is also unusable. In future, newly released characters, who will complement the limited launch roster, must be purchased with either Fight Money, earned from winning matches online, or Zenny, bought with real-world currency.

It makes for rather grim playing. In the language of free-to-play developers, this is a minimum viable product, offering players the framework and certain floors of the building, but leaving much pending. For a game sold at a premium price, it’s a tall test of consumers’ patience. But, perhaps, there is method to the flatness.

The trailer essentially sells the game on the back of the fighting game community itself. Before the launch, the company staged an unprecedented four beta tests, allowing thousands of participants to playtest “Kagemusha”, its proprietary netcode ambitiously designed to deliver stutter-free online battles. The company is clearly willing to take a hit from reviewers and on internet forums in order to ensure that Street Fighter V functions first where it matters. Missing features represent lost battles. The company knows, however, that if today’s headline is that Street Fighter V’s servers can’t cope with demands, or that the netcode is riddled with match-losing lag, it will have lost the war.

In this way, the parts present in the game are focused around creating a quick paced loop of online competitive play. There is no character- or stage-select prior to online matches (one can only imagine the number of meetings that must have been held in order to introduce such a drastic change). Now you simply choose your ‘favourite character’ in a battle settings menu and play as this cipher every time you’re hoisted into a ranked or friendly match. With the relatively limited number of players online ahead of the game’s official launch, online matches appear smooth and relatively lag-less, even when playing between PlayStation 4 and PC. It’s evidence that Capcom’s attention to the basics has been well-placed.

Alluring pencil lines of what is to come are visible. You earn League Points when playing online, pointing to a rich meta-framework. You level up your character with repeated use (although what this means is currently unclear). You can see your world ranking, find rivals and search for specific players via the “Fighters Network”. Your own fighter profile is an exhaustive statistical document, outlining the last time you logged in to the game, your total number of matches played, right down to the granular detail of your hit-rates for certain moves on, astoundingly, a per-character basis. Street Fighter V keeps a log of all recent matches, with the option to view the replay of each.

All of this surrounding context can overwhelm discussion of the on-the-field play, which, even at this nascent stage, offers a classic interpretation of Street Fighter. The pacing has been expanded in both directions: many special moves feel quicker, while the moment-to-moment exchange of strikes and blocks has a chunkier rhythm than ever before (aided by Capcom’s masterly implementation of the “hit pause”, which accentuates the impact of strikes). Characters have more fully settled into their play styles: Ryu’s measured strikes contrast with Ken’s showy combo flurries. Dhalsim, older and greyer than before, extends his limbs with grotesque grace, while F.A.N.G, a lithe, rangy combatant, throws purple clouds of poison that chip away at his opponent’s health bar. Much of your muscle memory from Street Fighter IV will prove redundant; key moves have been altered in game-changing ways.

There’s been an effort to make the game more accessible for newcomers. The first time you play you’re elegantly guided through Street Fighter’s basics. Focus Attacks, a mainstay of Street Fighter IV, are gone, replaced by V-Trigger which allows you to temporarily enter a state of heightened effectiveness, complete with a slightly altered move set. Chun-Li’s Renkiki V-Trigger, for example, increases the number of hits on her attacks. Ryu’s Denjin Renki increases the damage he deals, allowing some to break an opponent’s guard. Critical Arts replace Street Fighter IV’s Ultras. These are similarly ostentatious moves that can cleave an opponent’s health bar in two, but the animations are generally shorter than before, helping to maintain the pace of matches.

Street Fighter V’s launch doesn’t feel like a momentous event. Undeniably you’re paying for a promise rather than a reality. In part, this reflects changes in the way competitive video games such as League of Legends are built and sold. These are ongoing projects that continue to grow and develop after they are released. Developers tinker with designs via data drawn from the crucible of online play. Even so, by the traditional measures of video game criticism, Street Fighter V is a game delivered half-cooked, as if to meet a financial deadline rather than an artistic one.

But some may perceive a whisper of revolutionary ambition, a move, potentially, away from standalone releases towards Street Fighter as a platform, a digital portal through which new characters, modes, competitions and updates are accessed. Perhaps, through the twin currencies and expansive release schedule, the game will grow and change over the coming months, rather than remain in relative stasis until an inevitable stop-gap release, complete with a subtitle of escalating finality (“Super” to “Ultra” to “Final Strike” and so on).

This may be a generous reading. Certainly much of how Street Fighter V does work remains, even at launch, frustratingly unclear. Nobody could offer a definitive judgment on the game today in good conscience. One thing, however, is certain: like throwing a punch in the dark, buying Street Fighter V today is a speculative gamble.

The Guardian