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Asian-American artists shine at San Francisco Art Fair amid ongoing anti-immigrant rhetoric

Artists including Leland Wong and Liu Tianlian featured at the San Francisco Art Fair whose group exhibition focused on the local Chinatown

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The San Francisco Art Fair 2026 ran from April 16 to 19 at the Fort Mason Centre’s Festival Pavilion, featuring nearly 90 booths, a group exhibition focused on the San Francisco Chinatown community, and a pop-up design store featuring more than 70 Asian diaspora artists and brands. Photo: Hunter Ridenour/AMP
Kavita Daswani

At April’s San Francisco Art Fair at the Fort Mason Centre’s Festival Pavilion, artists, curators and gallerists made a strong engagement with Asian and Asian-American identity at a moment when anti-immigrant rhetoric continues to divide the US.

In a city where close to 35 per cent of the population identifies as Asian, the 14th edition of the annual fair became a space where Asian-American and Pacific Islander (AAPI) voices were not only vocal, but central, said fair director Kelly Freeman.

“We looked around and saw these incredible AAPI voices and thought, ‘Let’s start talking about that,’” said Freeman, who is also vice-president of event operations and partnerships for Art Market Productions, the organiser of this and other fairs.

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“More than ever, we need to celebrate every voice. For me, what we can do is to really focus on the strength of the immigrant population that makes up this city, and a huge part of the country, and highlight the unity and strength of that community.”

Visitors view artworks on the fair’s opening night on April 16. Photo: Hunter Ridenour/AMP
Visitors view artworks on the fair’s opening night on April 16. Photo: Hunter Ridenour/AMP

The message was loud and clear in the curated group exhibition commissioned by the fair, as well as in a pop-up design store featuring more than 70 Asian diaspora artists and brands.

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The group exhibition was called “Da Da Daam”, a play on a Cantonese expression meaning bold and audacious that also references the Dada art movement that developed in the aftermath of World War I. It was organised by Hoi Leung, a curator at the Chinese Culture Centre of San Francisco (CCC), in collaboration with the San Francisco Chinatown exhibition space Edge on the Square.
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