ReviewHow does Taiwan’s legendary Cloud Gate Dance Theatre look under new director?
Cloud Gate’s first show in Hong Kong under director Cheng Tsung-lung brought familiar high-level dancing and energy, but lacked innovation

Lunar Halo is the first full-length work by Cheng and the first Cloud Gate production under his direction to be presented in the city. So how did this legendary company look under their new director?
The answer is, to put it bluntly, much the same. Cloud Gate have always had a very specific style, and that remains true. While preserving their immediately identifiable character may please loyal admirers, after 50 years and with a new director, one might have expected to see some evolution and exploration of new paths.
The most striking sequence of the performance was the opening, where a group of male dancers working in unison linked their arms and bodies to create a succession of extraordinary images, including one that looked like a DNA helix revolving on a screen.

Then things became less interesting. The dancers stamped, jumped and whirled, solo or in groups – with the women doing a lot of long-hair tossing – and showed the distinctive strengths of Cloud Gate’s renowned training system.