The Princess Bride, by William Goldman, fairy tale of genius that spawned a popular movie adaptation
is often better recognised in its big-screen incarnation, but it was a book first - and one far superior to the film it spawned.
Great fantasy often acts as a means to escape the boredom of everyday life. Particularly in literature, where nothing more than faded text on yellowed paper can spur the imagination and evoke realms far beyond the mundane and the ordinary. A tale well told can change a story from simple fiction into the stuff of legend.
is often better recognised in its big-screen incarnation, with non-stop repeats on HBO and bargain-basket DVDs making it an endlessly quotable cult classic. But it was a book first - and a far superior one at that: a swashbuckling fairy tale of pure genius that cleverly plays with fantasy conventions and questions our own attraction to the genre, all the while being a rousing story in its own right.
Author William Goldman frames the book as part memoir, part exercise in abridgement. Early on, he reveals that is a lost classic by the now-forgotten writer S. Morgenstern and that his father would read him the tale as a child.
Wanting to create a similar experience for his own distant son, Goldman seeks out the book, only to find it plagued by long, boring passages on historic and political context. His goal: to cut out all the unnecessary parts and bring back the tale he loves.
Of course, it's all a brilliant lie and Goldman plays with the overused, often tired conventions of fantasy and the romance novel: the imprisoned bride and dashing hero, the wicked prince and gentle giant. Fencing, fighting, revenge, true love.
