Graham Greene's Brighton Rock - despondent take on the human condition

There's rock and then there's Brighton Rock, Graham Greene's 1938 novel whose title was inspired by the famous English confection.

Greene's interest was twofold and doubly ironic. Rock candy was a staple of the British seaside holiday, something Brighton Rock plays on constantly. Set at the end of a scorching bank holiday weekend in one of England's most popular resorts, the story traces the spiritual and earthly damnation of Pinkie Brown, a young, vicious small-town gangster. He begins by murdering a man named Hale, whom he holds responsible for betraying and killing his former boss.

The main action concerns his attempt to cover up his misdeed, witnessed by an innocent young woman named Rose, whom he woos into complicit silence. Pinkie's complex sexuality ensures that the relationship borders on the sado-masochistic: "He felt desire move again, like nausea in the belly," Greene writes.

Rose, however, is convinced of his inherent decency or the possibility of decency. Pinkie's take on this same question is far darker: "What was most evil in him needed her: it couldn't get along without goodness."

Here is rock's second suggestiveness. Traditionally, the location of its sale is emblazoned throughout its length, being inverted at one end. For Greene, this provided a telling metaphor for his own jaundiced view of humanity, shaped in the story by his fraught relationship with Catholicism. The image is made explicit when Ida Arnold, the decent but unsentimental heroine who is hunting Pinkie down, tries to talk Rose out of marrying a murderer.