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The Guardian

Hiroshima
by John Hersey
Penguin

A quiet hysteria buzzed through Hiroshima in the summer of 1945. The Americans had been firebombing Japan for weeks, and it was one of only two key cities they had not yet hit. B-29 Superfortresses were stationed north-east of Hiroshima and had been flying ominously overhead – locals called these planes B-san or Mr B.
“The frequency of the warnings and the continued abstinence of Mr B with respect to Hiroshima had made its citizens jittery,” wrote the New Yorker’s John Hersey. “A rumour was going around that the Americans were saving something special for the city.”
And then it came. At 8.15am on August 6, Little Boy was dropped over Hiroshima. More than 100,000 people died, either instantly or in the ensuing days. “Such clouds had risen that there was a sort of twilight around … The day grew darker and darker,” Hersey wrote. A different sort of darkness would linger in Hiroshima.

Western press reports on the attack mainly covered the gruesome statistics; missing were the stories of the survivors. That autumn, New Yorker editor William Shawn decided the magazine had to cover the story. “He wants to wake people up and says we are the people with a chance to do it, and probably the only people to do it,” Harold Ross, the magazine’s founder, wrote to E.B. White. In May 1946 they sent the war correspondent John Hersey, who was in Shanghai, to see what he would find.
The result was Hiroshima, a 30,000-word piece published in a single issue in August 1946 and later reprinted as a book. Over the years, it has been recommended to me several times, often by other writers, as a canonical example of New Journalism. A slender edition of Hiroshima has been released by Penguin to mark the 70th anniversary of the attack and I would recommend it without hesitation to anyone saddened and distressed by news from Paris, Beirut, San Bernardino or Syria.

Hersey tells the intertwined stories of six people in Hiroshima in the hours and weeks after the attack: a young surgeon; a pastor; a tailor’s widow with three children; a prosperous doctor; a female clerk at a tin factory; and a German priest. Its tick-tock approach gives it a Law and Order quality, as it switches its focus between the six subjects. But it is so much more: a chronicle of life amid the wreckage, with nary a word of hyperbole – a book that seems, at the close of 2015, more relevant than ever. It never promises an explanation for war, it never preaches. It eschews statistics in favour of story.
In fact, Hersey’s writing is so straightforward as to seem plain, but he often uses just the right word, or a simple but exquisite phrase, or a shattering detail, and his sentences are unmediated by a writerly presence. In one chapter, the pastor Mr Tanimoto was looking for a boat that would help him ferry the gravely injured across the river to safety. He came upon a punt on the shore. “It was an awful tableau – five dead men, nearly naked, badly burned, who must have expired more or less all at once, for they were in attitudes which suggested that they had been working together to push the boat down into the river.”
Mr Tanimoto knew what he must do: he dutifully pulled the bodies away from the boat, but was so disturbed by “preventing them, he momentarily felt, from going on their ghostly way – that he said out loud, ‘Please forgive me for taking this boat. I must use it for others, who are alive.’”
Hiroshima is stitched together with many moments like this. Early on, we meet the tailor’s widow shortly after the mysterious explosion: “As Mrs Nakamura stood watching her neighbour, everything flashed whiter than any white she had ever seen … the reflex of a mother set her in motion towards her children. She had taken a single step … when something picked her up and she seemed to fly into the next room, over the raised sleeping platform, pursued by parts of her house.” (The family survived.)
Hersey’s documentary eye captures a full spectrum of feeling – panic, grief, disgust, resilience, hope – often on the same page. The German Jesuit Father Kleinsorge is at Asano Park, on the outskirts of the city, climbing over dead bodies to fill a teapot with fresh water, which he will offer to survivors. Coming back, he finds a group of 20 injured soldiers: “Their faces were wholly burned, their eye sockets were hollow, the fluid from their melted eyes had run down their cheeks.” With a flash of ingenuity, he makes a straw from a piece of grass so the men, whose mouths are swollen and covered in pus and who will probably not live out the night, can drink.

“Since that day, Father Kleinsorge has thought back to how queasy he had once been at the sight of pain … Yet in the park he was so benumbed that immediately after leaving this horrible sight he stopped on a path by one of the pools and discussed with a lightly wounded man whether it would be safe to eat the fat, two-foot carp that floated dead on the surface of the water. They decided, after some consideration, that it would be unwise.”
Hiroshima is filled with evidence of humanity at its worst and best, with stories of generosity, grief and pain. I was sickened by some descriptions, while others were surprising, like when the priests discovered that the pumpkins at the mission had roasted on the vine and made a tasty dinner. I also found myself disheartened that the book had little sense of resolution.
In the months after the attack, Japanese people tried to make sense of what had happened. Some were angry, some detached: “It was a war and we had to expect it,” many said. Others were philosophical: “The crux of the matter is whether total war in its present form is justifiable, even when it serves a just purpose. Does it not have material and spiritual evil as its consequences, which far exceed whatever good might result? When will our moralists give us a clear answer to this question?”
Hersey doesn’t attempt one himself and, notably, he closes with a young boy describing life after the atomic bomb. The boy seems remarkably well adjusted, so much so that it suggests the message that life goes on, that children will grow up and they will get by – one I found difficult to accept, perhaps because I realised that, 70 years later, not much has changed.
In this way, Hiroshima doesn’t seem like a history lesson. It is a raw, very human account of the death, destruction and resilience that, all these decades later, we still witness around the world. And it is also, as Harold Ross put it in 1946, “one hell of a story”.
The Guardian


Book review: Hiroshima 1945 - panic, grief, disgust, resilience, hope

This handout picture taken on August 6, 1945 by US Army and released from Hiroshima Peace Memorial Museum shows a mushroom cloud of the atomic bomb dropped by B-29 bomber Enola Gay over the city of Hiroshima. Charred bodies bobbed in the brackish waters that flowed through Hiroshima 70 years ago this week, after a once-vibrant Japanese city was consumed by the searing heat of the world's first nuclear attack. About 140,000 people are estimated to have been killed in the attack, including those who survived the bombing itself but died soon afterward due to severe radiation exposure. [17JANUARY2016 THE REVIEW BOOK LEAD]

03 Jul 1947, Hiroshima, Japan --- The wrecked framework of the Museum of Science and Industry as it appeared shortly after the blast. City officials recently decided to preserve this building as a memorial though they had at first planned to rebuild it. --- Image by © Bettmann/CORBIS [17JANUARY2016 BOOK LEAD THE REVIEW]

epa02271798 (FILES) A handout photo dated 15 August 1945 of an A-bomb victim with severe burns. The black colored designs of the women's kimono absorbed and radiated intense heat from the atomic heat blast leaving burn marks on victims back. United Nations Secretary General Ban Ki-moon arrived in Japan 03 August 2010 to visit Hiroshima and Nagasaki, the two cities where the US military dropped atomic bombs 65 years ago. Ban will be the first UN secretary general to attend the Peace Memorial Ceremony in Hiroshima. For the first time the United States will send an envoy to the memorial. The US bomber Enola Gay dropped an atomic bomb on Hiroshima on 06 August 1945, killing tens of thousands of people in seconds. By the end of the year, 140,000 had died from the effects of the bomb. On 09 August a second atomic bomb was exploded over Nagasaki, killing more than 73,000 people. EPA/HANDOUT

Combo of file pictures dated 1945 of the devastated city of Hiroshima before and after the first atomic bomb was dropped by a U.S. Air Force B-29, 06 August 1945. Around 140,000 people, or more than half of Hiroshima's population at the time, died in the first atomic bombing 06 August 1945. Following the bombings, Japan surrendered 02 September 1945 to Allied forces, officially ending World War II, bringing down the curtain on the costliest conflict in history.[17JANUARY2016 THE REVIEW BOOK LEAD]

This image shows the book cover of Hiroshima (a slender edition released by Penguin on 70th anniversary on the atomic attack) by John Hersey. [17JANUARY2016 THE REVIEW BOOK LEAD]

ca. 1900's --- John Hersey (1914-1993) was an American writer and author noted for his documentary fiction about horrific events in the second World War. [17JANUARY2016 THE REVIEW BOOK LEAD]

The mushroom cloud of the atomic bomb dropped over Hiroshima. Photo: AFP

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John Hersey used fiction to tell a non-fiction story in what is regarded as an early example of New Journalism


Soon after the world's first nuclear bombing, the New Yorker sent correspondent John Hersey to Hiroshima to document its aftermath. With spare prose he tells the story of its devastation through the lives of six survivors, in this anniversary reprint of what is an early example of New Journalism


Book review: Hiroshima 1945 - panic, grief, disgust, resilience, hope

.css-1c6uqr6{color:inherit;font-weight:inherit;font-size:inherit;font-family:inherit;line-height:inherit;overflow-wrap:break-word;}John Hersey used fiction to tell a non-fiction story in what is regarded as an early example of New Journalism

John Hersey used fiction to tell a non-fiction story in what is regarded as an early example of New Journalism