Review | Three Husbands film review: Fruit Chan’s sex comedy a poor allegory of Hong Kong-China relations
- The story of Mui, a mentally disabled mother who sells her body on a fishing boat, takes a surreal and grotesque turn when she weds and moves ashore
- Whatever the political points Chan is trying to make, the film’s offensive and exploitative nature is hard to stomach
2.5/5 stars
After years spent working on China-oriented mainstream productions which felt a world away from his earlier films – with their social conscience, political awareness and bitterly satirical edge – maverick Hong Kong filmmaker Fruit Chan Gor returns with a heavily allegorical sex comedy, his most confrontational work to date.
A relatively low-budget feature shot during the lengthy post-production on Chan’s as-yet-unreleased action epic The Invincible Dragon, Three Husbands is billed as the final instalment in his trilogy of films about prostitutes, after 2000’s Durian, Durian and 2001’s Hollywood Hong Kong, both major winners at the Golden Horse Awards in Taiwan.
The story revolves around – but tellingly doesn’t provide much of a speaking voice to – Mui (played fearlessly by Chinese actress Chloe Maayan), a woman who is slightly mentally disabled and has an infant son. She sells her body on a fishing boat by arrangement with her two elderly “husbands”, Big Brother (Mak Keung) and Second Brother (Chan Man-lei).
When one of Mui’s frequent customers, the awkward young man Four Eyes (Peter Chan Charm-man), falls in love with her and, for a big fee, marries her, the action moves ashore to his grandma’s public housing apartment. Things take a surreal turn when Mui reveals characteristics of a sea creature – alongside an unstoppable sex drive that brings Four Eyes unexpected misery.