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Review | Child’s Play film review: killer doll Chucky returns in hugely enjoyable horror comedy

  • Director Lars Klevberg’s Child’s Play pays tribute to its predecessor, but delivers something fresh out the box
  • While the original saw a serial killer’s essence transferred into the toy doll, this reincarnation takes a modern approach

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Gabriel Bateman in Child's Play (category: TBC), directed by Lars Klevberg. It also stars Aubrey Plaza and Mark Hamill.
James Mottram

4/5 stars

Created by Don Mancini, the 1988 horror Child’s Play introduced the world to the killer doll Chucky, spawning seven sequels and heaps of controversy. Now comes the inevitable remake/reboot, made without the involvement of Mancini, who instead is working on a Chucky television series.

Directed by Norwegian newcomer Lars Klevberg, the latest production’s story takes elements of the first film and updates them for the digital age. Whereas the original film saw a serial killer’s essence transferred, voodoo-style, into the body of a toy doll, this reincarnation takes a different approach.

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The Buddi doll here is an interactive, artificially aware plaything that hooks up to all your household products – like the creepiest-looking Alexa you’ve ever seen. But when a disgruntled employee in a Vietnamese factory tinkers with a Buddi doll’s circuitry, evil is unleashed.

This only becomes apparent after American single mother Karen (Aubrey Plaza), a cashier at a supermarket selling the Buddi range, buys the defective doll for her son, Andy (Gabriel Bateman).

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Several years older than the boy in the 1988 film, Andy is the archetypal teen loner. Naming the doll “Chucky”, he begins to bond with it.

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