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After more than a month of silence, Kevin Feige, Marvel’s chief creative officer, has publically defended his films after heavy criticism from two of Hollywood’s most influential directors Martin Scorsese and Francis Ford Coppola. Photo: Reuters

Marvel’s Kevin Feige breaks his silence over Martin Scorsese criticism, saying: ‘That’s not true’

  • Marvel boss had stayed silent until now, but defended his creations – past and future – saying: ‘Everybody has a different definition of cinema’
  • Avengers stars Chris Evans and Scarlett Johansson also weigh in on controversy that followed director’s comment that Marvel films aren’t human cinema

Amid mounting chatter surrounding Martin Scorsese’s criticism of Marvel films that has baited the likes of Disney CEO Bob Iger and Iron Man himself, Robert Downey Jnr, one major player in the Marvel Cinematic Universe has kept quiet – until now.

After more than a month of silence, Kevin Feige, Marvel’s chief creative officer, has finally addressed Scorsese’s statement that the MCU “isn’t the cinema of human beings trying to convey emotional, psychological experiences to another human being”.

In a recent podcast from the Hollywood Reporter, Feige defended his creations – past and future – against the Irishman filmmaker’s assertion that Marvel films are a disgrace to the medium.

“I think that’s not true,” he said. “It’s unfortunate. I think myself and everyone who works on these movies loves cinema, loves movies, loves going to the movies, loves to watch a communal experience in a movie theatre full of people, and we’ve been very lucky that our movie theatres are often full of people when our movies play. I love all types of movies and always have, which is why we try to blend our films with different genres and take the success that we’ve had and do different things.”

Legendary directors Francis Ford Coppola (left) and Martin Scorsese have both heavily criticised Marvel’s films and all they stand for. Photo: AP

His defence echoes reactions from fellow MCU architects, such as Iger, who last week vowed to “debate” Scorsese on the topic of cinema, right before Scorsese doubled down on his own comments in a widely circulated op-ed for The New York Times. His latest critique lamented the lack of risk taken in Marvel franchises he sees as void of “revelation, mystery or genuine emotional danger”.

“Everybody has a different definition of cinema. Everybody has a different definition of art. Everybody has a different definition of risk, I guess,” Feige said. “Some people don’t think it’s cinema. Everyone’s entitled to their opinion. Everyone’s entitled to repeat that opinion. Everyone’s entitled to write op-eds about that opinion, and I look forward to what will happen next. But in the meantime, we’re going to keep making movies.”

Thor: Ragnarok, starring Chris Hemsworth (left), is just one blockbuster from the Marvel stable. Photo: AP

Two more Marvel heavyweights, Scarlett Johansson and Chris Evans, also recently weighed in on the controversy while taking part in Variety Studios’ Actors on Actors television series. During their conversation, the universe’s Black Widow and Captain America, respectively, mulled Scorsese’s concerns about the state of an industry inundated by blockbuster sagas like theirs.

“At first I thought that seems kind of old-fashioned, and somebody had to explain to me, because it seemed so disappointing and sad in a way,” Johansson said in response to accusations from Scorsese and other veteran filmmakers, such as Francis Ford Coppola, that tentpoles are edging out smaller films. “It made me think about how people consume content now, and how there’s been this huge sea change with their viewing experience.”

“I think original content inspires creative content,” Evans countered. “I think new stuff is what keeps the creative wheel rolling. I just believe there’s room at the table for all of it. It’s like saying a certain type of music isn’t music. Who are you to say that?”

Iron Man, portrayed by Robert Downey Jr, is one of Marvel’s most popular film characters. Photo: AP

Like any well-trained Disney exec, Feige later turned the podcast conversation about the eventual possibility of superhero fatigue into an opportunity to plug some of the brand’s forthcoming instalments, including WandaVision, a spin-off based on Elizabeth Olsen’s and Paul Bettany’s familiar MCU heroes (Scarlet Witch and Vision), which is coming soon to Disney+.

“It’s unlike anything this genre has done before,” he said. “And, yes, if you are turned off by the notion of a human having extra abilities, and that means everything in which that happens is lumped into the same category, then they might not be for you. But the truth is, these are all – like all great science-fiction stories – parables.”

Feige also squeezed in an ad for The Eternals, a star-studded project featuring new characters played by Angelina Jolie, Gemma Chan, Kumail Nanjiani, Kit Harington, Brian Tyree Henry, Salma Hayek and Richard Madden.

Victoria Alonso (left) and Feige (right) receive the Hollywood blockbuster award for Avengers: Endgame at the Hollywood Film Awards, with one of the film’s stars Mark Ruffalo (centre), at the Beverly Hilton Hotel in Beverly Hills, California, the US. Photo: AP

“It is a very big movie. It is a very expensive movie,” Feige said of The Eternals.

“We are making it because we believe in [director Chloe Zhao’s] vision, and we believe in what those characters can do and we believe we need to continue to grow and evolve and change and push our genre forward. That is a risk if I’ve ever heard one.”

Other efforts set to join the studio’s rapidly growing slate include Johansson’s highly anticipated Black Widow and a sequel to 2018’s smash hit Black Panther , as well as Shang-Chi and the Legend of the Ten Rings (February 12, 2021), Doctor Strange in the Multiverse of Madness (May 7, 2021), Thor: Love and Thunder (November 5, 2021) and a not-yet-announced project slated for February 18, 2022.

Tom Holland in a scene from Marvel’s Spider-Man: Homecoming. Photo: AP

Feige will next tackle another of Disney’s most lucrative properties: Star Wars. The exec is set to take over for the franchise’s post-Skywalker era that ends in December with Star Wars: The Rise of Skywalker.

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