Review | Ip Man 4: The Finale film review – Donnie Yen goes to Chinatown in solemn conclusion to martial arts series
- Film serves as understated coda to the saga of Ip Man as, ageing and diagnosed with cancer, he fights his way through 1960s San Francisco
- Despite being set in Bruce Lee’s hometown, Ip’s pupil is a peripheral figure in a story that’s full of holes and inconsequential fights, yet still satisfying

3/5 stars
The year is 1964 and Ip (Yen), having lost his loving wife towards the end of Ip Man 3, receives his own cancer diagnosis in an early scene. Drawn by an invitation from his student Bruce Lee (Danny Chan Kwok-kwan) to attend the latter’s demonstration at a karate tournament, as well as the hope of finding his rebellious younger son Ching (Ye He) a school, Ip soon finds himself in a foreign land plagued by racism.
Although Yip offered viewers a glimpse of the adult Lee in Ip Man 3 and set this film in his hometown, the director keeps the focus on Ip, his teacher. Aside from a very brief re-enactment of Lee’s one-inch punch and two-finger push-up demonstrations, and a back-alley fight with a random challenger that allows him to play around with a nunchaku, Lee remains a peripheral figure in the film.
Instead, Ip Man 4 revolves around two other martial arts practitioners who land Ip in unlikely fights. One is Chinese Benevolent Association chairman Wan Zonghua (Wu Yue of Paradox ), whose recommendation letter is, we’re told, indispensable to Ip’s effort to find a school for his son in San Francisco. Incidentally, Wan is also a tai chi master who resents Ip for allowing his apprentice Lee to teach non-Chinese kung fu.