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Asian cinema: Hong Kong film
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ReviewThe Grand Grandmaster film review: scattershot martial arts comedy sees Dayo Wong fight Annie Liu

  • Wong has yet to fully translate his undoubted comedic skills from stage to big screen. This film has its funny moments, but its plot stretches credulity too far
  • The director plays a supposed martial arts master who is floored by a boxer (Liu), then tries to wriggle out of a rematch, before they fall in love

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Dayo Wong (centre) in a still from The Grand Grandmaster (category IIA; Cantonese), which Wong also directs. Annie Liu co-stars.
Edmund Lee

2.5/5 stars

Dayo Wong Tze-wah is arguably the greatest stand-up comedian in the Cantonese-speaking world. But so far he has struggled to transfer his sharp wit and biting humour to the big screen. Buoyed by the commercial success of Agent Mr Chan , a 2018 film in which he had a leading role, he is once again going all in for a share of the Hong Kong box office this Lunar New Year.

The Grand Grandmaster, directed and co-written by Wong (and Chung Kai-cheong) and starring him in the title role, has been declared by anti-government protesters to be their holiday movie of choice. Wong endeared himself to them by explaining in a social media post two weeks ago that he had to sell an apartment to fund the film’s shooting – so he could make it a Hong Kong-only production and bypass China’s censors.

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Wong’s film will surely sell a whole lot more tickets than the only other film he has directed, 2002’s Fighting to Survive – still one of the most notorious box office bombs in Hong Kong cinema history. However, The Grand Grandmaster may disappoint viewers looking for the provocative edge that prompted Wong to shun the Chinese co-production model.

This scattershot comedy tells the story of Ma Fei-lung (Wong), the 19th-generation practitioner of Ma Ka Thunder style, a (fictional) Chinese martial arts tradition invented some 800 years ago. Ma has turned his ancestors’ teachings into a profitable school franchise and even a broad range of merchandise – that is, until he gets flattened in seconds by a beautiful stranger in a public encounter.

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His conqueror turns out to be Chan Tsang (Annie Liu Xin-you), a former boxing champion who mysteriously quit the sport after losing for the first time in her 41st match. Forced by media pressure to agree to a rematch, Ma soon discovers that his most trusted students have always been faking it, and that he is himself hopelessly weak in actual combat. An attempt to fix the rematch with Chan disgusts her.

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