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Asian cinema: Hong Kong film
LifestyleEntertainment

Hong Kong martial arts cinema: Golden Swallow, Chang Cheh’s 1968 swordplay classic

  • Golden Swallow is regarded by film critics as Chang’s best swordplay movie, a view shared by the legendary director
  • He considered it ‘the peak of the wuxia genre’; the film starred famous female martial arts actress Cheng Pei-pei

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Lo Lieh and Cheng Pei-pei in a still from Golden Swallow. Chang Cheh’s 1968 film broke new ground by adding a romance theme to the wuxia genre. The film’s action scenes are graceful, but it is also incredibly violent.
Richard James Havis

Chang Cheh is best-known for 1967’s groundbreaking swordplay film One-Armed Swordsman, which, along with King Hu’s equally influential Come Drink With Me (1966), began the successful trend of new-style wuxia (martial heroes) films.

But Chang’s Golden Swallow (1968) is generally regarded by local critics as his finest swordplay movie, a view held by the director himself, who pronounced it “the peak of the wuxia genre” in his memoir.

The film has many merits, notably a carefully and subtly crafted script co-written by Chang.

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Although Golden Swallow highlights many of the concerns that would come to be emblematic of his work – male bonding through violence, fractured codes of chivalry, and an obsession with dying and how to die correctly – the movie benefits from a sophisticated romantic triangle that was unusual in a wuxia film of the time.

As critic Stephen Teo writes: “Chang turns his wuxia picture into … a study of conflicting personas, making Golden Swallow the first wuxia picture with wenyi [romantic melodrama] elements.”

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