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Asian cinema: Hong Kong film
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Review | Hell Bank Presents: Running Ghost movie review – fantasy comedy with great potential spoiled with corny storytelling

  • This story about a loser who dies and enters a variety show in the afterworld fails to live up to its premise
  • It concentrates too much on the characters’ backstories, leaving the comedy to fall flat

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Cecilia So and Wong You-nam in a still from Hell Bank Presents: Running Ghost (category IIA, Cantonese), directed by Mark Lee.
Edmund Lee

2.5/5 stars

In this fantasy comedy-drama directed by Singaporean comedian Mark Lee Kok-huang, a recently deceased Hong Kong slacker is given a second chance at life after he is chosen to compete in the titular corporate-sponsored variety show hosted by the afterworld. Despite the inventive horror parody this premise hints at, Hell Bank Presents: Running Ghost turns out to be far more interested in its protagonists’ corny backstories than it should probably be.

Three weeks after he died in mysterious circumstances, good-for-nothing computer nerd Wong Hiu-kwai (played by Wong You-nam, Wong Ka Yan ) finds himself a reluctant participant in a “scaring contest”, where wandering ghosts scare the lives out of humans to try and win the grand prize of a chance at resurrection. The brief opening scene recapping last year’s winner offers a decent slice of horror comedy that the film never fully returns to.

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Once he is sent back among the living, Wong, an orphan, realises he has little to care for except his high-school crush Bo-yee (Venus Wong Man-yik), who is apparently dating a property agent (Adam Pak Tin-nam) behind his back. A loser, even in his spectral form, Wong is helpless at scaring anyone until he receives the help of Chiu Ling-kay (Cecilia So Lai-shan, Napping Kid ), a young woman who can communicate with the dead.

Orphaned as a child when her single dad (Ben Yuen Fu-wah) died in an accident that she feels responsible for, Chiu offers to help Wong in exchange for information about her late father’s whereabouts in the afterlife. In a development that may remind So’s fans of the plot of her 2017 romantic comedy Never Too Late – the major difference being that she has swapped the dead character for the living here – Wong and Chiu soon grow rather fond of each other.

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