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Review | Dear Tenant movie review: a gay man suffers in Taiwanese family drama

  • For five years, Lin has taken care of the son and mother of his late partner, but her death sees him feel the weight of familial and societal prejudice
  • The Taiwan-set story is engaging, but told through flashbacks when it would have made compelling courtroom drama, and undermined by its nagging implausibility

Reading Time:2 minutes
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(From left) Bai Run-yin, Chen Shu-fang and Mo Tzu-yi in a still from Dear Tenant (category IIB; Mandarin), directed by Cheng Yu-chieh.

3/5 stars

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Same-sex marriage was legalised in Taiwan in 2019, but the law still prohibits these couples adopting children, unless one of the parents is genetically related to the child. Cheng Yu-chieh’s drama Dear Tenant largely ignores these legal details in its story of a gay man fighting against the prejudices of his dead partner’s family and society in general.

Strong performances and a propulsive commitment to highlighting injustice make for intermittently engaging viewing, but the nagging implausibility of its central premise undermines much of the film’s good work. Nevertheless, Dear Tenant has been named one of the five best picture nominees at this year’s Golden Horse Awards.

For the past five years, Lin (Mo Tzu-yi) has taken care of the nine-year-old son Yo-yu (Bai Run-yin) and ailing mother, Mrs Chou (Chen Shu-fang), of his deceased boyfriend, Li-wei (Yao Chun-yao). Living in their Kaohsiung apartment, Lin cooks, takes Yo-yu to school, and attends to Mrs Chou’s treatment and medication.

But when she dies unexpectedly, her other son (Jay Shih) returns home to discover that she has left the apartment to Yo-yu, whom Lin has legally adopted. Overcome with jealousy and suspicion, he accuses Lin of murdering his mother, leading to a fierce battle for Lin’s freedom.

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