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Asian cinema: Hong Kong film
LifestyleEntertainment

Ranking every Hong Kong film released in 2020, from worst to best

  • Donnie Yen shines in Enter the Fat Dragon, My Prince Edward delicately captures fading love, and Beyond the Dream is filled with desire and yearning
  • Patrick Kong finally finds maturity with The Calling of a Bus Driver, Gladys Li shows she is one to watch, and Stephy Tang cements her leading actress status

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Stephy Tang in a still from My Prince Edward, which features in the Post’s worst and best Hong Kong films of 2020.
Edmund Lee

Is Hong Kong cinema dead? Or is it merely in a medically induced coma?

After a year rocked by political tension and social unrest that prompted this writer to wonder whether we have finally hit rock bottom (what did I know?), the Hong Kong film industry – like the rest of the world, including the biggest studios in Hollywood – ground to a halt in 2020 as the Covid-19 pandemic led to reduced capacity at cinemas for long periods, if not outright forced closure for months on end.
As production companies pulled their planned releases for a post-Covid-19 world, and the Hong Kong Film Awards took the unprecedented step of essentially cancelling their 2021 edition, the year 2020 turned out to be a complete write-off. It was so bad, in fact, that we got to see the typically omnipresent Louis Koo Tin-lok in only one movie – the long-shelved Taiwanese production A Choo – and in a forgettable supporting role.
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Here is our list of Hong Kong films released in the past 12 months, ranked from worst to best. Let us all pray for a much better 2021.

Michelle Wai in a still from Lost and Found in Tokyo.
Michelle Wai in a still from Lost and Found in Tokyo.

24. Lost and Found in Tokyo

This cartoonish account of a heartbroken Hong Kong woman’s travel experiences in Tokyo is a chaotic mess. While the promising scenario offers the possibility of a scenic travelogue or a whimsical tale of soul-searching, writer-director Charlie Choi Kit-ling passes up those opportunities in favour of one of the most atrociously scripted comedies in recent memory. Read the full review

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