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Review | Raya and the Last Dragon movie review: Disney animation inspired by Southeast Asian culture

  • This story of a warrior princess trying to save her land takes inspiration from Southeast Asian culture, with input from anthropologists
  • However, his is no cultural appropriation – unless you count the shameless references to the Indiana Jones movies

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A still from Raya and the Last Dragon. As an evil force threatens the kingdom of Kumandra, it is up to warrior Raya to leave her Heart Lands home and track down the legendary last dragon to help stop the villainous Druun. Photo: Disney
James Mottram

3.5/5 stars

The first original Walt Disney Animation in nearly five years, Raya and the Last Dragon is set in a realm known as Kumandra – a reimagined version of our world heavily inspired by Southeast Asian culture.

If this might have some up in arms about a Hollywood studio once again trampling into another continent for a swift bit of cultural appropriation, it’d be an unfair accusation.

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Disney’s Southeast Asian Story Trust, a coalition of anthropologists and other specialists, led the scrupulous research for the project, while Thai-born Fawn Veerasunthorn (Moana) is credited as head of story.

It means this brightly hued fantasy comes with a feeling of authenticity, rather than being just another cartoon cranked out to appeal to the Asian market.

The story focuses on Raya (voiced by The Last Jedi’s Kelly Marie Tran), a warrior princess who must go in search of dragon gems (something akin to the infinity stones in Marvel’s Avengers saga) to bring peace to her land. The Druun – fearsome, smoke-like creatures that hundreds of years earlier caused chaos when humans and dragons lived in harmony – are back to cause more strife.
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