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Review | The Medium movie review: Thai-Korean supernatural horror elevated by wonderfully creepy turn from Narilya Gulmongkolpech as a possessed woman

  • In a clash of superstition and rationalism, a shaman priestess, Nim, goes home to the Thai countryside, only to witness her niece succumb to demonic possession
  • Is the goddess Ba Yan priming the niece to succeed Nim or is a darker force at work? As she tries to control the situation, old family grievances resurface

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Narilya Gulmongkolpech (centre) in a still from The Medium (category III: Thai), co-starring Sawanee Utoomma and directed by Banjong Pisanthanakun
James Marsh

3/5 stars

Ancient superstitions claw their way into contemporary Thailand in Banjong Pisanthanakun’s mock documentary The Medium when a respected shaman priestess returns to her rural hometown only to be confronted by an ancient family curse.

Produced by Korean filmmaker Na Hong-jin, whose recent horror movie The Wailing also explored shamanism in the modern world, The Medium was named best film at the Bucheon International Fantastic Film Festival in South Korea this summer, where it received its world premiere.
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Taking the form of a fly-on-the-wall documentary examining traditional beliefs and mysticism in Thailand’s northeastern Isan region, the film introduces us to Nim (Sawanee Utoomma), the latest in a line of female shamans chosen by the goddess Ba Yan.

An affable and good-natured woman who acknowledges her powers are effective only against “unseen” ailments and curses rather than terminal illnesses such as cancer, Nim returns home for her brother-in-law’s funeral, and quickly suspects something is wrong with her niece Mink (Narilya Gulmongkolpech).

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Mink’s reputation is questionable. An attractive young woman fond of partying and known to be promiscuous, her increasingly erratic behaviour soon devolves into demonic possession. But exactly who or what Mink is possessed by remains up for debate.

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