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Asian cinema: Hong Kong film
LifestyleEntertainment

Ranking every Hong Kong film released in 2021, from worst to best

  • Anita is a mesmerising musical biopic of Canto-pop singer Anita Mui, while Donnie Yen and Nicholas Tse are nemeses on opposite sides of the law in Raging Fire
  • Drifting is a minor masterpiece about the daily lives of homeless people in Sham Shui Po; Keep Rolling is an enthralling documentary on filmmaker Ann Hui

Reading Time:9 minutes
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Francis Ng (left) and Loletta Lee in a still from Drifting. Ng stands out with his best performance in ages, but where does it rank in Hong Kong’s films of the year?
Edmund Lee

Nobody knows the future, but even the most naive observer could tell you that, after 2021, Hong Kong cinema is never going to be the same again.

While in the second half of 2021 the city’s film industry recovered slowly from the worst of the Covid-19 pandemic, the national security law brought in last year and a newly passed film censorship bill have left creative freedom under a giant cloud.

The full impact of Hong Kong’s new political reality on its cinema remains to be seen, but audiences who, say, loved the moral ambiguity of crime thrillers or the cheeky political commentary woven into genre-defying blockbusters, should brace for major change.

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Indeed, quite a few film directors and actors have voted with their feet and quietly moved their residence outside the city in the past two years. This disheartening trend is only going to spread when more concrete examples of the new forms of censorship further disrupt the industry.

(From left) Michael Chow, Tony Leung, Aaron Kwok and Patrick Tam in a still from Where the Wind Blows, directed by Philip Yung.
(From left) Michael Chow, Tony Leung, Aaron Kwok and Patrick Tam in a still from Where the Wind Blows, directed by Philip Yung.
It certainly sent a chill down everyone’s spine when the police corruption drama Where the Wind Blows was pulled from this year’s Hong Kong International Film Festival for “technical reasons”, a euphemism for censorship issues that is common in mainland China but unheard of in Hong Kong.
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For the time being, we can still rejoice in the continued emergence of a new generation of Hong Kong filmmakers, who seem as determined as ever to preserve the unique culture of the city to judge by their spirited first features.

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