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Asian cinema: Hong Kong film
LifestyleEntertainment

Maggie Cheung in her own words, on Wong Kar-wai and In the Mood for Love, marrying Olivier Assayas and being an actress, not just a film star

  • The darling of Hong Kong film in the 1990s had a lot to say about filmmaking, from getting her break with lowbrow Wong Jing to working with auteur Wong Kar-wai
  • She talked about preferring dramas to comedy and working ‘with feelings and emotions’ to making action films, and the dearth of good roles in Chinese films

Reading Time:5 minutes
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Maggie Cheung at an interview with the Post in 2001. Photo: SCMP.
Richard James Havis
Taiwan-born Brigitte Lin Ching-hsia was the reigning screen queen of the early 1990s, but Maggie Cheung Man-yuk was the movie star that Hong Kong cinema-goers most identified with.

Cheung, who was born in Hong Kong but grew up in the UK, was ubiquitous at that time, making around five films a year across all genres.

Cheung worked as a sales assistant when she returned to Hong Kong because, as she told the Post, she “hated 9 to 5 office jobs”, and got her big break after earning the runner-up prize in the 1983 Miss Hong Kong Pageant, for which she was also judged “Miss Photogenic”.

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Lowbrow producer Wong Jing spotted her and cast her in the comedy Prince Charming with Kenny Bee; it was a big hit, and kick-started Cheung’s movie career.

She later went on to work for luminaries like Tsui Hark, Stanley Kwan Kam-pang, Peter Chan Ho-sun, Wong Kar-wai, and mainland China’s Zhang Yimou, as well as French director Olivier Assayas, to whom she was married for a time.
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We recall what Cheung has had to say over the years about the various stages of her career.

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