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Asian cinema: Japanese films
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Review | Silent Parade movie review: Japanese crime drama and Galileo spin-off reunites Masaharu Fukuyama and Ko Shibasaki for more outlandish criminal investigation

  • This third big-screen spin-off from Japan’s popular TV show Galileo involves the disappearance of a high school girl whose dead body surfaces three years later
  • A riveting build-up and strong acting are somewhat squandered by a climax that trips itself up in its efforts to outsmart the audience

Reading Time:2 minutes
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Masaharu Fukuyama in a still from Silent Parade (category IIA; Japanese), directed by Hiroshi Nishitani. Ko Shibasaki co-stars.
James Marsh

3/5 stars

When the prime suspect in a murder investigation winds up dead soon after being released from police custody, detectives Utsumi (Ko Shibasaki) and Kusanagi (Kazuki Kitamura) once again turn to eccentric physicist Yukawa (Masaharu Fukuyama) in Silent Parade, the third big-screen spin-off from the hugely popular Galileo television show.

Adapted from the novels of Keigo Higashino, creator of the Masquerade Hotel and Shinzanmono series, among many others, Galileo is essentially a Japanese answer to the BBC’s smash hit update of Sherlock, allying a socially awkward yet intellectually superior specialist with blue-collar cops to solve ludicrously orchestrated murders.
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It’s a formula that has served audiences well since the show’s 2007 debut, due in large part to Yukawa’s ever-evolving relationships with hard-nosed veteran Kusanagi and the relatively inexperienced Utsumi, nurtured once again here by returning director Hiroshi Nishitani.

This time out, the mystery involves the disappearance of a high school girl, Saori (Asuka Kawatoko), whose dead body surfaces three years later in a house fire hundreds of miles from her hometown.

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The homeowner, Hasunuma (Jun Murakami), is dragged in for questioning, and immediately recognised by Kusanagi as the creepy defendant in a child murder case 15 years earlier. Hasunuma beat that rap, and is released once again now, due to a lack of evidence.

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