Advertisement
Advertisement
Asian cinema: Hong Kong film
Get more with myNEWS
A personalised news feed of stories that matter to you
Learn more
Lam Ka-tung (left) and Aaron Kwok in a still from Cyber Heist (category IIB; Cantonese), directed by Wong Hing-fan. Simon Yam co-stars.

Review | Cyber Heist movie review: Aaron Kwok plays computer hacker in action thriller with a laughably shallow understanding of how the internet works

  • A fairly watchable, action-driven crime thriller, Cyber Heist is badly let down by its antiquated depiction of how the internet functions
  • Kwok plays a hacker and police informant determined not to go back to jail but who finds he’s being set up to be the scapegoat for a digital bank heist

2/5 stars

Cyber Heist is a fairly watchable, action-driven Hong Kong crime thriller that is rendered laughable by its ill-advised central conceit of visualising the internet using the most cringingly antiquated imagery imaginable.

Reuniting the producer (Soi Cheang Pou-soi), director (Wong Hing-fan) and star (Aaron Kwok Fu-shing) of poverty melodrama I’m Livin’ It for a very different endeavour, the film follows Kwok’s computer expert as he dives into the digital world to thwart some murderous thugs’ “money-laundering” master plans.

Kwok plays Cheuk, a computer hacker and former convict who works for a cybersecurity company headed by Chan (Lam Ka-tung). With a wife (Megan Lai Ya-yan) and a young daughter struggling with a heart problem at home, the reformed Cheuk is determined not to go to prison ever again.

Bad news: soon after he uses a special firewall he has secretly developed to interrupt an audacious digital bank heist that temporarily shuts down Hong Kong’s banking system, Cheuk realises that his boss is in fact the one who stages the virus attack in the first place.

The reluctant hero is then forced simultaneously to fend off Chan’s efforts to make him the next scapegoat for the bad guys’ financial crimes, while covertly collecting incriminating evidence for inspector Suen (Simon Yam Tat-wah) of the police force’s Cyber Security and Technology Crime Bureau.

Simon Yam in a still from Cyber Heist.
Eschewing the illusion of realism that many other white-collar crime movies seek to provide (every office is lit to look like a knockdown Tron set), Cyber Heist instead goes big on elaborate CGI sequences that distantly recall the clunky understanding of computer technologies that characterised all those internet-themed Hollywood movies from the mid-1990s.

Quite how the filmmakers decided it’s a good idea to dumb down their big-budget feature in such a way almost 30 years later is the real mystery here, although those people who believed the Y2K bug was an insect might find much to enjoy in the film’s jarring literal-mindedness.

Next to frequent shots of characters frantically typing on their keyboards, Cyber Heist also shows us the world of the internet as a pixelated forest; firewalls as … walls; digital banking frauds as masked thieves running away with suitcases of banknotes; and the Dark Web as a dimly lit, deserted building in which people in hoodies meet for shady transactions.

Aaron Kwok in a still from Cyber Heist.

As diverting as this film can be – it does take time to go through the tropes of any self-respecting Hong Kong action thriller, including an exciting chase scene set in Tai Kwun, the cultural hub in Central – it will be hard for most discerning viewers not to be distracted by the exceedingly awkward attempt at cyberpunk filmmaking on display.

While it is distinctly light on humour, Cyber Heist may prove an unintendedly funny experience if you happen to watch it with an audience in just the right frame of mind.

Want more articles like this? Follow SCMP Film on Facebook
Post