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Asian cinema: Hong Kong film
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Review | In Broad Daylight movie review: a must-see for anyone with a conscience, fact-based drama about a Hong Kong care home scandal stars Jennifer Yu as a journalist

  • Fact-based film about a care home for the disabled where suspicious deaths and sexual abuse were alleged is unlike most dramas about investigative journalism
  • Jennifer Yu excels as Kay, a journalist working undercover in the home to collect evidence against its warden (Bowie Lam) and his evil nurse (Baby Bo)

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Why you can trust SCMP
Jennifer Yu plays Kay, an undercover journalist, in a still from “In Broad Daylight” (category IIA, Cantonese), directed by Lawrence Kan. David Chiang and Bowie Lam co-star.
Edmund Lee

4/5 stars

A series of atrocious abuse allegations against the staff of a Hong Kong residential care centre for the disabled form the narrative basis of In Broad Daylight, a clear-eyed drama, based on a true story, about the pursuit of justice through investigative journalism and the heavy price this sometimes entails.

In 2016, a private nursing home, Bridge of Rehabilitation Company, repeatedly hit the headlines with one shocking revelation after another, from the suspicious deaths of residents to a sexual assault allegation against its warden, who escaped punishment after his mentally disabled alleged victim was declared unfit to testify.
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A sense of indignation understandably permeates In Broad Daylight, the bleak second feature of director Lawrence Kan Kwan-chun, whose debut feature was 2013’s When C Goes With G7. It also represents a sharp departure from the cheeky tone of In Geek We Trust, the popular 2021 ViuTV drama series that he directed.

As the film opens in 2015, we see Kay (Jennifer Yu Heung-ying in top form) visit her “grandfather”, the senile Tung (David Chiang Da-wei), in a care home for the first time. Appalled by how grossly understaffed the centre is, as well as by the mistreatment of residents that she immediately witnesses, Kay volunteers to come and help on a regular basis.
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Except that things aren’t what they seem: the ostensibly caring Kay is in fact a tenacious investigative reporter from a newspaper tipped off about the ongoing abuses and Tung, as we subsequently learn, has a far better understanding of his situation than he lets on.

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