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Asian cinema: Hong Kong film
LifestyleEntertainment

ReviewRob N Roll movie review: Aaron Kwok, Lam Ka-tung ham it up in darkly comic Hong Kong crime drama with an ambitiously convoluted story

  • There’s shades of Johnny To’s crime capers in Rob N Roll, a diverting comedy whose story is confidently told but with a few too many twists to be captivating
  • The performances of Aaron Kwok, as an unstable bandit, Lam Ka-tung, as a put-upon taxi driver, and Richie Jen as an indebted business owner, are the draw here

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Aaron Kwok in a still from Rob N Roll (category IIB; Cantonese), directed by Albert Mak and co-starring Lam Ka-tung and Richie Jen.
Edmund Lee

3.5/5 stars

The criss-crossing paths of several robbers and robbers-to-be form the darkly comic premise of Rob N Roll, a character-driven crime drama that lives on the melodramatic flourish of its trio of lead actors, Aaron Kwok Fu-shing, Lam Ka-tung and Richie Jen Hsien-chi.

Lam plays Robby, a downtrodden taxi driver who is being driven over the edge by the constant discord at home caused by his elderly mother – his pregnant wife longs to move out of their cramped flat. Meanwhile, his father has been taking shelter, without paying, in the nursing home run by Robby’s buddy, Fai (Jen).

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The latter isn’t doing any better. A widower with a young daughter to provide for, Fai is heavily in debt and struggles to keep his business afloat – not that he runs the home purely for the money. Somehow this kind-hearted man gets the idea of committing a robbery.

Before they can secure a gun, however, the two middle-aged losers inadvertently become involved in the fallout from an armed robbery led by Mui (Kwok), a former pro wrestler and self-proclaimed “tough bandit, not a killer” from a fictional rural town, whose alternately polite and unhinged temperament hides a traumatic past.

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Directed by long-time assistant director Albert Mak Kai-kwong from a screenplay he co-scripted, this confidently narrated tale of misfortune and coincidences is diverting to watch, at times even bringing to mind Johnnie To Kei-fung’s twisty capers, but is also far too convoluted to be truly captivating.
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