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Kaya Kiyohara and Greg Hsu in a still from 18×2 Beyond Youthful Days (category I; Mandarin, Japanese), directed by Michihito Fujii.

Review | 18×2 Beyond Youthful Days movie review: Greg Hsu, Kaya Kiyohara play young lovers in conventional yet effective romance

  • Greg Hsu stars as a Taiwanese video-game developer who embarks on a spot of soul-searching in Japan and reflects on a former Japanese girlfriend
  • There are precious few surprises on offer here, but this simple tale of a young man exploring his first love’s homeland proves surprisingly effective

3.5/5 stars

There is something refreshingly conventional about The Parades director Michihito Fujii’s romantic drama 18×2 Beyond Youthful Days, despite its needlessly clumsy title.

At a time when the genre has become a convoluted mess of high-concept notions looking to reinvent the adolescent love story, this simple tale of a young man exploring his first love’s homeland proves surprisingly effective.

The only curve ball in Fujii’s nostalgia-fuelled tale is that his contemplative protagonist hails from Taiwan, which provides the setting for the film’s numerous flashbacks.

Greg Hsu Kuang-han (Marry My Dead Body) plays Jimmy, a successful video-game developer who suffers a cataclysmic falling out with his Japanese partners. Instead of heading home, he chooses to embark on a spot of soul-searching, travelling to a variety of picturesque tourist spots that he recognises from his favourite anime and films, such as Slam Dunk and Love Letter.

We also learn that, 18 years earlier, Jimmy had a Japanese girlfriend, Ami (Kaya Kiyohara), when working at a karaoke bar in his hometown, Tainan.

Kaya Kiyohara in a still from 18×2 Beyond Youthful Days.

Ami was travelling through Taiwan at that time when she lost her passport and was forced to pick up some casual work. Despite not knowing much Chinese, she lands a summer job at a rundown karaoke establishment, where an 18-year-old slacker named Jimmy uses the perfunctory Japanese he picked up from watching anime to help her settle in and learn the ropes.

Over time, the pair develop feelings for one another, but Ami perpetually keeps Jimmy at arm’s length. She claims to have a boyfriend waiting back home and vows to pursue her dream of travelling the world.

Ami also insists that Jimmy fulfil his ambitions, urging him to enrol in university. Something, however, does not seem quite right.

Greg Hsu in a still from 18×2 Beyond Youthful Days.

There are precious few surprises on offer here, and even the most inattentive viewer will deduce Ami’s true motivations within the first few minutes of Fujii’s film.

Nevertheless, the writer-director dutifully unspools his reverently formulaic story without clarifying the inevitable until the final reel.

The performances are strong and endearing, particularly from Kiyohara, who trades her infuriatingly inarticulate role from My Missing Valentine for an infinitely more assertive heroine.

Conversely, it is Hsu, particularly in his younger scenes, who seems incapable of expressing himself effectively. Emotional immaturity, however, is another essential ingredient in this kind of love story, where the lessons learned all too late provide the motivation for all of us to keep on living.

Those willing to embrace, rather than endure, these tropes would do well to keep tissues close at hand.

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