Review | Galaxy Writer movie review: Chinese drama about new directors navigating the film industry is amusing but unoriginal
- Writer-director duo Li Kuo and Shan Dandan’s film about novice filmmakers struggling in China’s commercial film industry is likely based on their own experience
- Christopher Nolan references and a love triangle don’t save the film from its fresh-faced characters, who offer little for viewers who have seen it all before
2/5 stars
Films about filmmaking are nearly as old as the medium itself, yet remain a popular subgenre. At once self-indulgent and celebratory, filmmakers repeatedly rise to the challenge, attempting to convey what attracts them to the art form, despite its difficulty, cost, competition, and every other obstacle standing between them and cinematic success.
Such cautionary tales of quixotic endeavours seem especially popular with first-time filmmakers, which brings us to Galaxy Writer.
Drawn, one suspects, very much from their own experiences, the film follows a pair of best friends and wannabe screenwriters as they attempt to bring their sci-fi action epic “Seven Seconds Man” to fruition.
After moving to Beijing, the epicentre of the China’s booming film industry, Liaoyi (Song Muzi) and Tan (He Wenjun) must negotiate a treacherous road of charlatan producers and commercially driven industry drones dead set on taking the boys’ beloved masterpiece and distorting it into just another slice of soulless corporate content.
Your Lovely Smile: amusing journey through Japan’s indie cinemas
Their tight group of similarly inexperienced friends can offer precious little insight into how best to achieve their goal, while the endless rewrites soon take a toll on Liaoyi and Tan’s relationship.
Propelled by an energetic and irreverent tone, Galaxy Writer makes for an occasionally amusing diversion, but the satirical insight into the machinations of the industry is mostly tame and obvious.
More promising is the unfolding soap opera between the various members of their little clique of aspiring artistes, especially their friend Bug (Li Fei), whose extreme commitment to living the life of a suffering actor sees his girlfriend (Liu Moran) begin a secret affair with another member of the group.
For an audience of their peers, who have yet to fall foul of life’s many pitfalls and lose their fresh-faced optimism, Li and Shan’s film may play well and their quirky, high-energy perspective seem fresh and revelatory.
But for anyone who has been around the block, and had their dreams dashed on the rocks of reality more than once, Galaxy Writer plays an all-too-familiar tune.
