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Agence France-Presse

Tom Hanks has praised the “amazing” use of artificial intelligence to de-age him “in real time” on the set of new movie Here, while accepting that the technology is causing huge concern in Hollywood.
Here, in US cinemas on November 1, stars Hanks and Robin Wright as a couple striving to keep their family together through births, marriages, divorces and deaths across multiple decades and even generations.
Hanks portrays his character from an idealistic teen, through various stages of youth and middle age, to a frail, elderly man.
But rather than just relying on make-up, filmmakers teamed up with AI studio Metaphysic on a tool called Metaphysic Live, to rejuvenate and “age up” the actors.


The technology worked so fast that Hanks was able to immediately watch his “deep-faked” performance after each scene.
“The thing that is amazing about it is it happened in real time,” said Hanks.
“We did not have to wait for eight months of post-production. There were two monitors on the set. One was the actual feed from the lens, and the other was just a nanosecond slower, of us ‘deep-faked’.
“So we could see ourselves in real time, right then and there.”
The rapidly increasing use of AI in films including Here has triggered vast concern in Hollywood, where actors last year went on strike over, among other things, the threat they believe the technology poses to their jobs and industry.

Hanks acknowledged those fears during a panel discussion with director Robert Zemeckis at the recent AFI Fest in Hollywood, saying a “lot of people” were worried about how it will be used.
“They took 8 million images of us from the web. They scraped the web for photos of us in every era that we’ve ever been – every event we’ve filmed, every movie still, every family photo that might have existed anywhere,” Hanks explained.
“And they put that into the box – what is it, ‘deepfake technology’, whatever you want to call it.”
The use of AI is not the only unusual technological feat in Here.
The film is entirely shot from one static camera, positioned for the most part in the corner of a suburban US home’s living room.

Viewers occasionally see glimpses of the same geographic space before the house was built, as the action hops back and forth to colonial and pre-colonial times – or even earlier.
Here is based on a graphic novel by Richard McGuire, which uses the same concept.
“It had to be true to the style of the book, and that’s why it looks the way it does,” Zemeckis said.
“It worked in levels that I didn’t expect. It’s got a real powerful intimacy to it, and in a wonderful way, it’s very cinematic.”
But it is the film’s use of AI that has drawn the most attention.

For all of Hanks’ enthusiasm, reviews of Here have not been kind. Associated Press calls the film “insanely ambitious” but says “the human connection is lost”. Tribune News Service says the de-ageing “does not work at all” and calls the film a “movie about real estate” that is “flat” and “pointless”.
AI was also at the heart of a very different film at AFI Fest – Wallace & Gromit: Vengeance Most Fowl, the latest film for the beloved British stop-motion characters.
When Wallace constructs a “smart gnome” to take care of chores, his faithful dog Gromit immediately sniffs danger.
Once Feathers McGraw, the nefarious penguin introduced to audiences in 1993 short film The Wrong Trousers, gets involved, the technology takes a sinister turn.
AI becomes “the wedge between Wallace and Gromit”, explained co-director Merlin Crossingham.

“It is a very light touch, although it’s a very serious subject,” he said.
If “we can trigger some more intellectual conversation from our silly adventure with Wallace and Gromit, then that can’t be a bad thing”.
The film itself did not use AI.
“We don’t and we wouldn’t,” said Crossingham, earning hearty applause from the Hollywood crowd.
Vengeance Most Fowl will be broadcast on Christmas Day in the United Kingdom and Ireland, before airing globally on Netflix from January 3.
Additional reporting by Associated Press and Tribune News Service.


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Tom Hanks and Robin Wright in a scene from Here. Filmmakers teamed up with an AI studio to de-age the film’s stars almost in real time, a feat Hanks calls “amazing”. Photo: Sony Pictures via AP

Tom Hanks and Robin Wright in a scene from Here. Hanks has praised the use of artificial intelligence to de-age them. Photo: Sony Pictures via AP

Hanks and Wright in a scene from Here. The film is shot entirely with one static camera. Photo: Sony Pictures via AP

Robert Zemeckis with Hanks and Wright on the set of Here, which is based on a graphic novel by Richard McGuire. Photo: Sony Pictures via AP

Nick Park (left) and Merlin Crossingham attend the premiere of Wallace and Gromit: Vengeance Most Fowl at the TCL Chinese Theatre in Hollywood, California. Photo: AFP

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Film & TV

Director Robert Zemeckis enlisted an AI studio to de-age almost instantaneously the stars of Here, including Tom Hanks – who was impressed


Director Robert Zemeckis enlisted an AI studio to de-age almost instantaneously the stars of Here, including Tom Hanks – who was impressed.


Cinema

Artificial intelligence

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Hollywood

AI de-ageing in film Here amazing, Tom Hanks says. His character goes from teen to elderly

.css-1c6uqr6{color:inherit;font-weight:inherit;font-size:inherit;font-family:inherit;line-height:inherit;overflow-wrap:break-word;}Director Robert Zemeckis enlisted an AI studio to de-age almost instantaneously the stars of Here, including Tom Hanks – who was impressed

Director Robert Zemeckis enlisted an AI studio to de-age almost instantaneously the stars of Here, including Tom Hanks – who was impressed