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Asian cinema: Japanese films
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Review | Cannes 2025: Exit 8 movie review – live-action adaptation of walking simulator video game

Protagonist ‘The Lost Man’ must spot the differences as he walks repeatedly down an underground passage. Expect jump scares and apparitions

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Kazunari Ninomiya as “The Lost Man” in a still from Exit 8, directed by Genki Kawamura based on a video game, The Exit 8. Yamato Kochi and Nana Komatsu co-star. Photo: Handout
Clarence Tsui

3/5 stars

It’s hardly every day that a novelist-turned-filmmaker will follow up an award-winning, genial family drama with a live-action adaptation of a video game.

Appropriating images and ideas aplenty from Stanley Kubrick’s The Shining, Genki Kawamura has turned a simple premise – in which a player is made to run repeatedly down a short underground passage to search for a way out – into a psychological thriller exploring a man’s guilt and redemption.

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For those who haven’t played The Exit 8, which has attained cult status among gamers since its release in 2023, fear not: Kawamura did the uninitiated a huge favour by outlining its rules on screen from the get-go.

Reading those instructions, displayed on a wall, out loud, “The Lost Man” (Kazunari Ninomiya) learns that his goal is to look for anomalies in a white, brightly lit passageway featuring simple signage, a few advertising posters, stainless steel doors and an expressionless automaton (“The Walking Man”, played by Yamato Kochi) who walks past the protagonist as if he isn’t there.

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For most of the first half-hour of the film the protagonist – and the audience – try to make sense of the proceedings as he moves forwards and back through the hallway. The audience plays the same spot-the-difference game as the man while observing his increasingly agitated state, ably conveyed through Keisuke Imamura’s fluid camerawork and Sekura Seya’s editing.

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