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At 75, Snoopy has conquered the Gen Z market and collaborates with global, luxury brands

Snoopy’s enduring appeal continues to boost Peanuts’ brand now – it has more than 1,200 licensees around the world

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A view of characters from the Peanuts comic strip at the Charles M. Schulz Museum in the United States. Snoopy remains as popular as ever. Photo: TNS
Tribune News Service

Snoopy, probably the world’s most famous beagle, is having another moment. Created by US cartoonist Charles M. Schulz, the character from the Peanuts comic strip has lately been adorning all manner of merchandise, from pimple patches to luxury handbags.

The spike in Snoopy products has been especially pronounced with the 75th anniversary of Peanuts, aka Snoopy’s 75th birthday, in 2025. But the grip Snoopy has on pop culture and the retail industry runs deeper than anniversary buzz. According to Sony, which recently acquired majority ownership of the Peanuts franchise, the IP is worth half a billion US dollars.

Snoopy has always been a pop culture darling. Despite his owner, Charlie Brown, being the Peanuts strip’s main character and the namesake for most of the franchise’s adaptations, Snoopy was inarguably its breakout star. He was the winner of a 2001 New York Times poll about readers’ favourite Peanuts characters, with 35 per cent of the vote.

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The veritable Snoopymania possessing today’s consumers exploded with the social media boom of the early 2010s, says Melissa Menta, senior vice-president of global brand and communications for Peanuts Worldwide.

In 2025, the Charles M. Schulz Museum in California celebrated the 75th anniversary of the Peanuts comic strip’s debut. Charlie Brown is the Peanuts strip’s main character. Photo: TNS
In 2025, the Charles M. Schulz Museum in California celebrated the 75th anniversary of the Peanuts comic strip’s debut. Charlie Brown is the Peanuts strip’s main character. Photo: TNS
That is also when the company saw the first signs of uncharacteristically high brand engagement, Menta says. She largely attributed the success of Peanuts on social media to the comic strip’s suitability for visual platforms like Instagram.
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“No one reads the comic strips in newspapers any more,” Menta says, “but if you think about it, a four-panel comic strip, it’s actually an Instagram carousel.”

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