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Asian cinema: Chinese films
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Why fierce mothers and violent monsters star in Joe Hsieh’s animated films

Taiwanese director Hsieh reflects on the strength of women, preferring hand-drawn animation over AI, and using violence in film

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A still from Praying Mantis (2025), an animated short film co-directed by Taiwanese director Joe Hsieh and Hong Kong arthouse auteur Yonfan. Image: handout
James Marsh
One of the highlights of this year’s Hong Kong International Film Festival (HKIFF) is a collection of five animated short films from Taiwanese director Joe Hsieh Wen-ming. Awash with vivid imagery of an often erotic and violent nature, Hsieh’s work also channels a palpable sense of compassion, not least in its depictions of mother-child relationships.
His latest film, Praying Mantis (2025), marks the animator’s second collaboration with celebrated Hong Kong art-house auteur Yonfan, following the award-winning No 7 Cherry Lane (2019), which was presented with the best screenplay award at the 2019 Venice International Film Festival. Hsieh served as an animator on that film.

Co-directed by Hsieh and Yonfan and with touches of David Cronenberg’s 1986 horror The Fly, Praying Mantis is a brightly coloured body horror fantasy that tells the story of a cursed insect woman who seduces men to feed her ailing son.

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“I think women are really something,” Hsieh tells the South China Morning Post in a Zoom interview ahead of the film’s Hong Kong premiere.

“My mother is a tough woman and she raised me to chase my dreams. So all my films feature mothers and their children. Women are tough; they have power.”

Taiwanese director Joe Hsieh holds his grand prix short film award for Night Bus (2019), given at Animafest Zagreb in 2021.
Taiwanese director Joe Hsieh holds his grand prix short film award for Night Bus (2019), given at Animafest Zagreb in 2021.

Born in Taipei in 1980, Hsieh developed a fascination with cinema, and particularly horror movies, at an early age. He admits to being an unhappy child who was bullied at school, but he found solace in the comforting glow of the television screen.

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