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Asian cinema: Hong Kong film
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Hong Kong director Andrew Lau reflects on Infernal Affairs and his other most iconic films

From the Young and Dangerous series to The Storm Riders and Infernal Affairs, Andrew Lau has captivated audiences for decades

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Hong Kong filmmaker Andrew Lau is photographed at the New York Asian Film Festival, where he is the 2026 Filmmaker in Focus. Photo: Chris Kammerud
Richard James Havis

Andrew Lau Wai-keung is one of Hong Kong’s most successful – and prolific – filmmakers. Having directed more than 40 films and served as cinematographer on almost 70, his vast filmography spans triad films, psychological thrillers, romances, ghost stories, car-racing films, Category III adult features and even a musical.

Lau’s major directorial successes include the Young and Dangerous series, which made triad gang members trendy; The Storm Riders, which brought CGI effects into martial arts films; and Infernal Affairs, the undercover police drama that helped rejuvenate the local film industry during the downturn of the early 2000s.
Despite this momentous body of work, Lau does not feel he has a recognisable style.

“I don’t feel that I have one style that I use in all my movies,” he tells the South China Morning Post in an interview at the New York Asian Film Festival (NYAFF), where he is the 2026 Filmmaker in Focus.

“Every time I choose a story, I try to find a new look to suit that individual movie – I don’t try to apply the same ‘Andrew Lau style’ to each one. I don’t want to say, ‘This is in Andrew Lau’s style,’ because my style consists of many different styles.”

Behind the lens

Ultimately, it is Lau’s skilful cinematography that binds his body of work together. He started his career in 1981 as a camera assistant at Shaw Brothers and worked his way up to cinematographer in 1985. He went on to shoot Ringo Lam Ling-tung’s classic City on Fire (1987) and Wong Kar-wai’s directorial debut, As Tears Go By (1988), among many others.
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