The qipao, or cheongsam, makes a comeback in Shanghai, where tailors target young women to keep a tradition alive
- Tailors in Shanghai hope to subvert stereotypes of the qipao, or cheongsam, and see targeting the young as a way to keep alive the figure-hugging Chinese dress
- The qipao helped to break down gender norms for women during the 1920s, says a tailor. ‘The sense of freedom associated with that will never go out of style’
Zhou Zhuguang surveys his Shanghai workshop and rows of workers meticulously stitching high-collared Chinese dresses known as qipao, some of which sell for nearly US$5,000.
“It’s a highly skilled craft,” said Zhou, co-founder of Hanart, one of China’s most well-known qipao makers.
“Some of our tailors spend a lifetime learning to make qipao.”
Their price tag also reflects enduring demand for the qipao, known as cheongsam in Hong Kong and overseas Chinese communities.
The qipao disappeared after the Chinese Communist Party – which considered it decadent and bourgeois – took power in 1949.
The dress’ comeback is due in part to producers like Zhou.
A mass-produced qipao, sometimes seen at weddings or other formal occasions, can be bought today for as little as 100 yuan (US$16).
But Zhou, 59, has found a market for higher-end designs among well-heeled Chinese fashion lovers.
Zhou previously dealt in lower-priced qipao before founding Hanart in 1998 in partnership with Chu Hongsheng, a legendary qipao designer who fitted Chinese film actresses and the wives and daughters of Shanghai mafia bosses. Chu died in 2017 at the age of 99.
“[Low price] isn’t the true essence of the qipao,” said Zhou, who feels that such an iconic Chinese fashion staple requires more luxurious materials, bolder designs and handcrafted precision, which inevitably push prices up.
“We want more young people to wear qipao,” Zhou said of his design reboot.
Her shop targets buyers aged 25-45, with qipao starting at around US$600.
“Young people bring new life and energy” to the qipao, said Yang, 28, who has been smitten with the dress since childhood and began collecting them five years ago.
“If young people don’t wear them, then by the time they grow old there won’t be anyone wearing them,” she said.
Yang admitted that youth acceptance suffers from a stereotype that qipao are for elderly women, or the belief that pop culture uses the dress to objectify Chinese women.
“These are deep misconceptions … so I want to popularise it as best I can and let people know the real meaning of qipao,” she said.
That includes the dress’ role in breaking down gender norms for women during the 1920s. The sense of freedom associated with that will never go out of style, she adds.
“We are small, but we are carrying on a piece of culture,” he said.
“That’s where our biggest value is.”