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3D-printed ceramics give Japanese craft digital dynamic

Cutting-edge 3D printing technology is changing the dynamics of Japanese ceramics, as designers merge the traditional craft with a digital framework in pursuit of aesthetic refinement - and they're dramatically reducing the time needed to create their artwork without the need of a potter's wheel. Art college graduates Yuichi Yanai and Tatsuya Uemachi are the masterminds behind Secca, a design outfit aiming to break the mould in culinary creativity by replicating ceramic ware with their leading-edge technology.

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Ceramic plates made by Secca using 3D printing technology. Photo: Kyodo
Kyodo

Cutting-edge 3D printing technology is changing the dynamics of Japanese ceramics, as designers merge the traditional craft with a digital framework in pursuit of aesthetic refinement - and they're dramatically reducing the time needed to create their artwork without the need of a potter's wheel.

Art college graduates Yuichi Yanai and Tatsuya Uemachi are the masterminds behind Secca, a design outfit aiming to break the mould in culinary creativity by replicating ceramic ware with their leading-edge technology.

The company's digitally produced ceramics received high praise at a catering event in Cannes, France, hosted by a group of Japanese restaurants and sake breweries in Ishikawa last December.

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"The introduction of 3D printers has changed the game," Yanai, 32, says at a Tokyo exhibition featuring the technology with various applications. "One of the advantages over the traditional manufacturing process for ceramic work is that we can use computers to create a more accurate drawing and more flexible designs than humans are able to craft."

To create ceramics using 3D printing technology, a design is digitally created using computer software before a mould is produced with the printer. Workers fill the moulds with clay and later remove them before firing the products in a kiln.

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Uemachi, however, suggests that clay shrinkage during the process was less of an exact science.

"As different types of clay have different levels of shrinkage, we have failed to complete works many times. We have to try a lot of times, estimating shrinkage that will occur in clay when it is burned," Uemachi, 32, says.

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