Going gaga for Gucci: label’s cruise 2017 collection is bold, bad and beautiful
Alessandro Michele’s 1970s-inspired mash-up of florals and frills, quirky hats and heritage pieces seemed to capture zeitgeist and fired up social media
To the sound of a haunting alto voice singing Scarborough Fair, models walked the ancient stone cloisters of London’s Westminster Abbey for Gucci’s cruise 2017 show wearing geeky vintage glasses, oversized bows, loud florals and frills.
It’s a peculiar aesthetic that has become familiar, cultish and one of the most distinctive “looks” in fashion today. It’s excessive, ’70s-inspired, at times beautiful and bold, at others verging on bad taste, and presented with perhaps a dash of irony.
How exactly? Certainly, in person, his unpretentious and charming character remains refreshing in a sea of highly strung, uptight fashion types. But looking at how quickly fashion embraced his romanticism, emotional designs and collections, it seems that the scene was ripe for a change. And there has been a huge response to Michele’s highly stylised vintage mixes with bookish chic and sexy lace; his quirky hats and accessories, employing reworked heritage motifs like the brand’s classic GG logo, have made the look almost cultish. The new Gucci tribe is as compelling as ever for the fashion-conscious.