Like doing a hard Sudoku: Tom Hardy on playing gangland twins the Krays in new biopic

The British star of brooding intensity, who follows up roles in Batman and Mad Max movies by portraying the leading London gangsters of the 1960s, says he’s drawn to characters with dark and light sides

PUBLISHED : Monday, 07 December, 2015, 3:15pm
UPDATED : Tuesday, 08 December, 2015, 2:03pm

There are two very different Tom Hardys.

There is the Hardy that movie-goers have got to know onscreen, an actor with a brooding intensity and a flair for playing hard, sometimes vicious men in films like Bronson, Warrior, The Dark Knight Rises and Mad Max: Fury Road . Then there is the offscreen Hardy, a sensitive softie who loves dogs and giving out hugs and who talks excitedly about the imminent prospect of becoming a dad for the second time: “I’m waiting on a baby to land. It could be any minute!”

That more gentle and thoughtful Hardy – Tommy to his friends – is just as frightened as everyone else by the forbidding alpha-male characters he has often played. (“I’m as masculine as an eggplant,” he once told an interviewer.) In a strange way, that fear is exactly what draws him to those roles.

“I think things that frighten me are compelling and I want to understand them,” says Hardy. “Wherever I go around the world, there’s always somebody out there who’s a bit scary and I’ll collect that. Or animals – I’ll learn from animals as well. Although you can’t really talk to an angry orangutan the same way you can talk to a lot of people.”

I like to play people who’ve got a bit of range to them: a little bit of dark and a little bit of light
Tom Hardy

As it happens, there are also two very different Tom Hardys in the actor’s new film, Legend. The movie stars Hardy in the dual roles of Ronnie and Reggie Kray, the notorious real-life twin gangsters who ran an organised crime empire in the East End of London in the 1950s and ’60s. In what many critics have deemed a tour de force performance, Hardy creates a study in contrasts, with Reggie showing polish and charm, and Ronnie a paranoid schizophrenic prone to unpredictable flashes of violence.

Guess which role Hardy was more excited to play.

When Hardy met the film’s writer-director Brian Helgeland to discuss the project over dinner, Helgeland was initially interested in having him just play Reggie, more of a traditional leading role. But from the start, Hardy was focused on the dangerous, unhinged Ronnie.

“Tom doesn’t want to be a leading man in a way because it’s a little dull for him,” says Helgeland, best known as the writer of L.A. Confidential and Mystic River. “There was a bit of a friendly showdown, and at the end of the dinner he basically said, ‘I’ll give you Reggie if you give me Ron.’ I don’t think either of us realised what we had agreed to at that point but we quickly learned.”

As Hardy and Helgeland were both aware, the track record of actors playing twins has been a rather spotty one. On one end of the spectrum, you have well-received turns like Jeremy Irons in Dead Ringers and Nicolas Cage in Adaptation; on the other, you have Jean-Claude Van Damme in Double Impact and Adam Sandler in Jack and Jill. Helgeland was wary of it coming across as a distracting gimmick. “If you couldn’t get past that, then the movie sunk,” he says.

The technical challenges involved in pulling off dual roles were formidable to say the least, particularly given the film’s relatively lean budget of about US$25 million. “On a daily basis it was like doing a Sudoku that got progressively more complicated,” Hardy says. “There wasn’t a lot of money so we sort of worked it out like we would in a stage play but with sleight of hand.”

With Tom, you have this paradoxical tremendous accessibility as an actor and then this danger, where you just don’t know what he’s going to do
George Miller

Tapping into the menace and hair-trigger violence of the Krays was the easy part for the actor. “With Tom, you have this paradoxical tremendous accessibility as an actor and then this danger, where you just don’t know what he’s going to do,” says George Miller, who directed Hardy in this summer’s Mad Max.

Where exactly Hardy pulled that darkness from, however, remained a mystery to Helgeland. “Tom is a teddy bear – when he arrives on set, you have to schedule at least five minutes for him to hug almost every member of the crew,” Helgeland says. “I know from things I’ve read that he had some problems in the past with addiction and things, and he certainly draws on all of that. But I never really talked to him about it.” (Earlier in his life, Hardy struggled with substance-abuse issues but he has been sober since 2003.)

For Hardy, the biggest challenge was portraying Reggie’s romantic side, hisultimately doomed love affair with a local East End girl named Frances (Emily Browning). The fact is, for all his versatility as an actor, he has never felt entirely at home as a romantic lead.

“I remember when I was younger, I went up to play Mr Darcy [in an adaptation of Pride and Prejudice],” Hardy recalls. “One of the execs at the studio told me quite categorically, ‘Every woman has an idea of who Mr Darcy is, and I’m afraid you’re just not it.’ I was like, ‘Fair enough.’ I’m obviously not a romantic lead, so I’m not going to focus a lot of my attention on being something that I’m not. I like to play people who’ve got a bit of range to them: a little bit of dark and a little bit of light.”

If that has meant a slower, more circuitous path to movie stardom, so be it. Even as Fury Road catapulted him to greater fame and finding himself mentioned as a potential James Bond successor to Daniel Craig, Hardy – who appears next in Alejandro G. Inarritu’s western thriller The Revenant, – says fame for its own sake has never been on his agenda.

“I’m just Tommy who does his thing,” he says. “I guarantee you within a couple of years’ time this will all blow over and I’ll be back to being about as interesting as I am, which is not very interesting at all. I’m just doing a bit of acting now and then. It’s like I came to deliver a pizza and I got really lucky.”

Los Angeles Times

Legend opens on December 10