Review | Film review: The Bodyguard – Sammo Hung directs and stars as dementia-stricken agent
Underwhelming action drama misses opportunities to showcase stellar cast of martial arts stars while pandering to mainland audience and censors
2/5 stars
Martial arts fans anticipating Sammo Hung Kam-bo’s first directorial effort in close to 20 years will be left sorely disappointed by The Bodyguard. Despite its promising set-up of gang violence and revenge, the film is for the most part a slow-paced drama about a haunted former secret service officer struggling with dementia.
Early trailers for The Bodyguard played up the fact that Hung has peppered his cast with martial arts stars of past and present, including Yuen Wah, Yuen Biao, Eddie Peng Yu-yan and director Tsui Hark. They all remain on the periphery, however, never getting involved in the action, further compounding the sense of disappointment at an opportunity sorely wasted.
It is only when Li – a compulsive gambler in debt to local mobster Choi (Deng Chao) – goes on the run with a bag of jewels Choi stole from some Russians, that Ding is finally compelled to act. His efforts to protect Cherry – who has become a surrogate for his missing granddaughter – set Ding on a bloody path against not only Choi’s gang but also the Russian mafia.
What little action there is – and it’s not until the third act that the film shifts out of first gear – is shot in claustrophobic close up using an irritating blurry effect. Edited to ribbons, it is impossible to fully appreciate Hung’s choreography, and proves too little too late for a film determined to be anything but a kung fu movie.
Clearly targeting a broad mainland audience, by championing the courage of the CSB and devoting vast amounts of screen time to cutesy sequences between Ding and Cherry, even inserting a cop-out ending to placate the censors, The Bodyguard proves retirement isn’t always a bad idea.
The Bodyguard opens on April 1
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