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Asian cinema: Korean films
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How Colony features a new kind of zombie to reflect modern fears

Director Yeon Sang-ho of Train to Busan fame explains how AI and social media anxiety inspired the zombies in his new horror film

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Jun Ji-hyun in a still from Colony. The film’s director, Yeon Sang-ho, shares how modern concerns about the negative effects of AI and other advanced technologies on society inspired his new zombie horror film.
James Mottram

Yeon Sang-ho sleeps soundly at night – no bad dreams, no night terrors, thank you very much. “When I get to bed, I’m just completely exhausted,” the 47-year-old South Korean director says with a grin. “When I sleep, the next step is just I wake up. So I never dream or have nightmares.”

This must have come as a relief given he has spent a decade contemplating zombies on and off following his 2016 mega-hit Train to Busan.
It is late afternoon when we meet on the windswept sixth-floor terrace of the Cannes Film Festival’s Palais. In just over six hours, Yeon’s new zombie film Colony will receive its world premiere in a Midnight Screenings slot, echoing the unveiling of Train to Busan a decade ago.
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Yet any thought that he is simply retreading old ground should be dismissed; Colony injects the genre with something fresh and frightening.

“The starting point of making this movie was not to make a zombie movie,” Yeon says. “It was about dealing with the potential fear of our time, and for me, it was about the high-speed exchange of information, which leads to collective consciousness.

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“I wanted to make a movie about this problem, and at one point, I realised that the genre that could adequately represent this would be the zombie genre.”
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