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Hellbound, Dr. Brain – how online comics, or webtoons, can make creators big money through Netflix, Apple TV+, Disney+ adaptations

  • Streaming services are adapting more webtoons, or online comics, into TV series and movies, drawing from tens of thousands of stories
  • Ten to 20 webtoons from Korean service Naver’s platform are expected to be remade into other media in 2022

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Hongjacga, the cartoonist of webtoon Dr. Brain, which was recently adapted by Apple TV+, draws in his studio. Photo: Reuters

Hellbound, Netflix’s most-watched series in late November, might be making a splash on TV, but it first appeared on much smaller screens as an online comic, or “webtoon”, optimised for smartphones.

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The webtoon format, which began in Korea two decades ago, has shaken up content creation for the movie industry around the globe.

With relatively few overheads, webtoons have grown to include tens of thousands of visual stories, with more adaptations on streaming services such as Netflix, Apple TV+ and Disney+.

“If a drama or movie fails, a bunch of people are in the red so they can’t experiment in various ways,” says Choi Gyu-seok, the artist and co-creator of the Hellbound webtoon. “But here, when we fail, we fail alone. So we can experiment however we want.”
A scene from the webtoon Hellbound. Photo: Reuters
A scene from the webtoon Hellbound. Photo: Reuters

In South Korea alone, there are more than 14,000 webtoons by 9,900 creators, according to data provider Webtoon Analysis Service. Tech companies Naver and Kakao are facilitating adaptations and targeting global expansion through their webtoon units.

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