Prim and vain wives take every opportunity to assert the power afforded them by their social rank, and work even harder behind the scenes to maintain or improve their position.

Kang Yoon-kyum (Park Byung-eun), the chairman of the LY Group, is the richest man in Korea. During a press conference, he takes to the stage to announce record returns, but the headlines take a swift turn when a scandal erupts during his speech – his affair has been revealed.

Yoon-kyum’s wife, Han So-ra (Yoo-sun), cuts an imposing figure in a bold diamond pattern dress, but her steely poise is rocked when the scandal hits. He lashes out at her minions and shrinks at the thought of how her powerful father, Han Pan-ro (Jeon Kuk-hwan), will react.

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Seo makes an even grander entrance when Yoon-kyum goes into a dark room and looks up to her. Her back to us, she rises from an ornate rocking chair and towers over him, making it very clear what the balance of power is between these two characters.

The question is: how did they get here? The show proceeds to answer that by taking the story back to three months in the past as we settle into the main narrative.

During a recital at the elite Liyan Kindergarten, mothers gossip away in their seats. Yoon-kyum’s attention is piqued when a bandoneon (an instrument similar to an accordion) player appears and launches into a tango. Kim Sun-bin (Seo) graces the stage and takes everyone’s breath away (especially Yoon-kyum’s) when she performs a heady tango with a male dance partner.

Adding to her allure is the fact that Sun-bin is a new face in this tight and exclusive social environment. She is the mother of another girl in the school and makes her introductions to the other parents in the reception following the recital, ingratiating herself with her poise and manners to everyone except So-ra, who resents seeing someone she perceives as lower class grab the limelight.

It’s no accident that Sun-bin has suddenly appeared in their midst. Her real name is Lee La-el and, when she was a teenager, her family was torn apart by Pan-ro, who at the time was Korea’s all-powerful prime minister.

Thirteen years later, La-el is back on home soil and has set a grand vendetta in motion, which involves seducing Yoon-kyum. The only potential obstacle in her path is Eun-pyeong, now a popular assemblyman, who remembers the young La-el.

Seo made her debut less than a decade ago and it’s only in the past few years that she has become a household name. The actress has done so by crafting a very clear and frequently magnetic persona, that of an aloof and cool-as-ice prima donna.

She brings that cool and calibrated performance style to bear in Eve, where it is the driving force around which everything else must revolve.

Seo has probably been denied an A-list co-star, such as Kim Soo-hyun or Lee Joon-gi, for Eve owing to her recent scandal (the drama she dropped out of would have seen her act opposite Kim Nam-gil), and Park Byung-eun isn’t exactly a household name.

As Yoon-kyum, Park has been stolid but quiet so far, though as the character expands over the coming weeks, so should his performance.

Despite its erotic overtones, Eve is a very safe project for Seo, one that relies on her pre-established image and is neither likely to dim nor burnish her aura.

Eve is streaming on Viu.