Backlash to Train to Busan’s Hollywood remake from fans of the Korean zombie hit, despite the involvement of horror-film veterans James Wan and Gary Dauberman
- Fans are not pleased that the Korean hit is being remade by Hollywood, claiming it will be ruined
- The remake’s Indonesian director, Timo Tjahjanto, says the movie will keep the heart of the original, but have a ‘different flavour’
It’s not news that the Korean zombie apocalypse hit Train to Busan (2016) by director Yeon Sang-ho will soon have an American remake by Hollywood’s New Line Cinema.
It was announced in February, but fans only took to the internet to express their concern online last weekend when the news went viral – and sparked a lot of negative reactions.
Since being posted on August 28, it was retweeted 2,987 times and quoted more than 38,200 times.
Twitter users’ responses ranged from “NO. Stop this immediately. Its [sic] perfect and does not need a remake” as posted by user @Brujj, to “America constantly ruin [sic] foreign films when they remake them,” as posted by user @rikijamie.
As the film industry becomes more globalised, Hollywood’s need to produce English-language remakes become more controversial.
Most of the negative reactions against Train to Busan’s upcoming Hollywood remake claimed that “a US remake will tarnish the name of the [original Korean] movie” even though the new Train to Busan, which is currently in pre-production, seems to be in good hands.
While another recurring theme of the critiques against the remake was that “it would be better to leave movies like this to Asian filmmakers,” the new Train to Busan will be directed by an Indonesian director, the up-and-coming Timo Tjahjanto. His brutal action movie The Night Comes for Us (2018) was distributed internationally by Netflix, and his schlock horror May the Devil Take You (2018) won a Maya Award in Indonesia in 2019.
When I asked Tjahjanto about the upcoming remake at an interview a couple of months back, he said that “the challenge is to keep the heart of what made the original film so special, but trying to give a different flavour to it”.
Considering Tjahjanto’s penchant for gnarly horror and take-no-prisoners action, the advantage of using the higher budget of a Hollywood production may actually deliver a film that, if it can’t top the original, will be something striking in its own way.
“If the original Train to Busan may be compared to a ballet, this one will be a hardcore mosh pit dance, so to speak,” said Tjahjanto.