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Asian cinema: Korean films
K-dramaK-movies

ReviewBusan 2024 movie review – Hear Me: Our Summer is both problematic and preposterous

The film’s demeaning portrayal of the deaf community and a final reveal that is insulting in its sheer stupidity make this one to miss

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Hong Kyung (left) and Roh Yoon-seo as Yong-jun and Yeo-reum in a still from Hear Me: Our Summer (category TBC), directed by Cho Sun-ho. Photo: KC Ventures Co., Ltd & Plus M Entertainment & Movierock Inc
James Marsh

2/5 stars

Rising Korean stars Hong Kyung and Roh Yoon-seo are gifted a romantic vehicle seemingly tailor-made for their inimitable charms in Hear Me: Our Summer.

A beat-for-beat remake of the 2009 Taiwanese film Hear Me, which starred Eddie Peng Yu-yan and Ivy Chen Yi-han, this new South Korean interpretation similarly follows the courtship of a young couple predominantly through the use of sign language.

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The film’s depiction of the deaf community and how they interact with the world around them proves deeply problematic, however, while a last-minute twist designed to melt audience hearts proves so preposterous as to render almost everything that has come before it utterly redundant.

Yong-jun (Hong, Revenant) is 26 years old and directionless. He works part-time as a delivery driver for his parents’ snack shop, but they are eager to see him grow up and move out.
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One day, while delivering lunch to a group of deaf swimmers at the local pool, Yong-jun spots the beautiful Yeo-reum (Roh, Crash Course in Romance) running up and down poolside, keeping time for her sister Ga-eul (Kim Min-ju).
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