Madonna's Rebel Heart tour: Pole-dancing transvestite nuns, armoured dancers and 30 years of hits
Pop queen's Rebel Heart tour comes to Hong Kong on February 17
Two hours into a show in which transgender nuns twirled on stripper poles and hot-bodied dancers simulated most imaginable sex acts, Madonna’s eyes glistened.
“I’m so lucky to have survived this long,” the pop legend told a sold-out crowd Wednesday night at New York’s Madison Square Garden.
“I’m feeling pretty nostalgic tonight. I first performed here 30 years ago,” she said.
On one of the first dates of her new Rebel Heart tour, which will come to Hong Kong on February 17, Madonna still proved her capacity to provoke and, at 57, powered lustrously through an elaborately choreographed set whose breakneck pace would daunt an artist of any age.
The show opened with Madonna descending from a cage to a procession of armoured dancers inspired by both Joan of Arc and the samurai.
Madonna and her dancers changed attire at a dizzying pace, as the singer assumed personas that ranged from 1920s cabaret coquette to erotically charged matador.
But Madonna also turned wistful before the audience in her adopted hometown. That first time in Madison Square Garden, when she closed her blockbuster tour for Like a Virgin, was in 1985.
The show of emotion was rare for Madonna, who is known for her fierce professional determination and has responded defiantly after recent setbacks including online leaks of the Rebel Heart album.
Madonna helped revolutionise the concept of a concert with her “Blond Ambition” tour in 1990, giving a new aura to her music through prolific costume changes and heavy overtones of sex including simulated masturbation, which even brought condemnation by The Vatican.
Madonna has not toned down the sex on the Rebel Heart tour. She even entered the stage to a recording of her voice declaring, “I have tits and ass and an insatiable desire to be noticed.”
For the song Holy Water, dancers dressed as nuns with a transgender appearance glided up and down poles and hoisted Madonna perilously in the air.
The stage then turned into a mock Last Supper, with Madonna as the main course tied on the table with her legs flirtatiously open.
But Madonna was ready to strip down the music, as well. In one of the most emotionally resonant moments of the night, she sat alone with a ukulele and sang, in French, Edith Piaf’s La Vie en Rose.
Madonna, twice divorced, introduced the song by describing herself as “cynical” about marriage, stating: “I have good reason to be.” And because her New York fan base is heavily Latino as well as gay, she similarly transformed several of her giddiest ’80s tracks – Dress You Up, Into the Groove and Lucky Star – into an acoustic, Spanish-tinged medley brought joyously to stage as a flamenco dance.
“This is the first time my manager told me I’m wearing too much clothing,” she said in a Latin floral dress.
Madonna opened the tour last week in Montreal and plans 76 shows until the close on March 27 in Brisbane, Australia.
It is Madonna’s first tour since her 88-date global sweep in 2012 for her album Mdna, concerts that triggered frequent controversy for her outspoken commentary on issues including US gun culture and Europe’s far right.
By contrast, this tour is mostly free of politics, save during Illuminati, her toying take on conspiracy theories, in which a screen flashed sudden scenes ranging from a Ku Klux Klan rally to a gay rights kiss-in.
Madonna in recent years has accused her critics of ageism and, when she signed off, she was back to her steely self.
There was no dramatic bow or prolonged encore. Her parting words were simple: “Thank you, New York. We’ll be back.”