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Yangshuo boutique hotel to spearhead new Chinese heritage hospitality brand Aurua

  • Yangshuo Sugar House, with its reminders of past as a working sugar mill, is the model for a new brand of boutique heritage hotels in China

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Yangshuo Sugar House is envisaged as the first boutique hotel under a new Chinese hospitality brand, Aurua, that seeks to celebrate and restore buildings and locations tied to China’s past. Photo: Kristian Odebjer
Kristian Odebjer

To arrive at the Yangshuo Sugar House is to be met by the enchanting smell of the osmanthus flower.

The boutique hotel’s brick structures may be just a five-minute drive from the tourist town of Yangshuo, in southwest China’s Guangxi Zhuang autonomous region, but they feel like a secret hideaway beyond time and space. And this property with a past is set to play a leading role in a luxury Chinese hospitality brand.

In 2006, Hong Kong investor Danny T.T. Chan and his mainland Chinese partner Yang Xiaodong acquired an abandoned sugar mill with the intention of restoring it to its former architectural glory and turning it into a heritage resort. Art was going to be a focus and there would be artists in residence.

The mountains surrounding the Yangshuo Sugar House help give the resort the feel of a secret hideaway. Photo: Kristian Odebjer
The mountains surrounding the Yangshuo Sugar House help give the resort the feel of a secret hideaway. Photo: Kristian Odebjer
The Li River seen from the Yangshuo Sugar House. Photo: Kristian Odebjer
The Li River seen from the Yangshuo Sugar House. Photo: Kristian Odebjer

In 2017, the property opened for business as the Alila Yangshuo, with 117 rooms, suites and villas, many of which are in a new, purpose-built block.

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Since the severing of ties with the Alila brand in June 2020, the old mill has been run independently by Chan and Yang, but they have now earmarked it as the launch property of a heritage-focused hospitality brand built around “nature, terroir, presence and aura” – Aurua.

Danny T.T. Chan (centre) by the Sugar House pool. Artist Hu Xingyi, seated on the right, is in the process of capturing the Li River in a watercolour. Photo: Kristian Odebjer
Danny T.T. Chan (centre) by the Sugar House pool. Artist Hu Xingyi, seated on the right, is in the process of capturing the Li River in a watercolour. Photo: Kristian Odebjer

The restoration of the sugar mill was carried out with respect for its origins. When I meet Chan and his wife, Irene, in the 1969 Bar, which was the cane pressing workshop and is named for the year in which production began at the mill, he explains that the redevelopment took 11 years because they did not want to be rushed into making mistakes.

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